Pierre Arizzoli-Clémentel and Xavier Salmon, eds.,Marie-Antoinette, exh. cat. Paris: Réunion des Musées Nationaux for the Grand Palais, Paris, 2008. 400 pp., 337 color ills., 31 b/w ills., bibliog., index. Paper, €49.Martin Chapman et al.,Marie-Antoinette and the Petit Trianon at Versailles, exh. cat. San Francisco: Fine Arts Museums of San Francisco, Legion of Honor, 2007. 176 pp., 152 color ills., bibliog. Paper, $24.95.

2009 ◽  
Vol 16 (2) ◽  
pp. 170-174
Author(s):  
Anna Hoffman Steinhardt
2002 ◽  
Vol 178 (5) ◽  
pp. 1138-1138
Author(s):  
George A. Taylor
Keyword(s):  

Author(s):  
Robert W. Cherny

Arnautoff resumed his long delayed art education when his father-in-law paid his way to attend the California School of Fine Arts (now the San Francisco Art Institute) from 1925 to 1929. There he worked with prominent artists, including Ralph Stackpole and Edgar Walter. First attracted to sculpture, he turned to mural painting. His longing for his motherland led him to read contemporary Soviet literature and to seek out the local Communist party for information about the Soviet Union.


2019 ◽  
Vol 1 (2) ◽  
pp. 1-17
Author(s):  
Romana Mirza

Contemporary Muslim Fashions, September 22, 2018 – January 6, 2019 was organized by the Fine Arts Museums of San Francisco, shown in the de Young Museum and curated by Jill D’Alessandro and Laura Camerlengo, both curators at the museum, and consulting curator Reina Lewis, a scholar at the London College of Fashion, University of the Arts London. The aim was to represent contemporary Muslim fashions. To this end, they assembled and exhibited a collection of garments from the most popular fashion designers of the day, chosen from a series of shows at modest fashion weeks around the world. Supplemented by key pieces that have gained traction in the news such as the Burkini™ and Nike®’s sport hijab, this exhibit elevated perceptions and highlighted a global view by showing designs from around the globe, honouring the African-American, Muslim-American, Arab, and South East Asian cultures and aesthetics. Supporting the sartorial narrative was a display of visual and multimedia art from hip hop music videos, film, Instagram feeds, photography, magazine covers, and prints. The multimedia “exhibit within an exhibit” complemented the sartorial narrative by providing a contemporary context for the clothing. It reminded the observer that the exhibit was not merely about fashion history or the evolution of modesty in dress but about a contemporary moment. The relationship between fashion and the body was explored through designs that cover the body and intentionally hide the often objectified and sexualized female figure to reveal a contemporary approach to fashion that is empowering.


Sign in / Sign up

Export Citation Format

Share Document