Imagining Russian Regions: Subnational Identity and Civil Society in Nineteenth-Century Russia. By Susan Smith-Peter. Russian History and Culture, volume 19. Edited by Jeffrey P. Brooks and Christina Lodder. Leiden: Brill, 2018. Pp. xiv+328. $147.00 (cloth or e-book).

2021 ◽  
Vol 93 (4) ◽  
pp. 995-997
Author(s):  
Joseph Bradley
2014 ◽  
pp. 77-98 ◽  
Author(s):  
R. Menyashev

There is a popular view in Russian studies arguing that underdevelopment of Russian civil society is partly responsible for the failure of liberal idea in Russia. Fragmented society sees no alternative to massive government regulation, that is why support of strong state is so high. If this logic is true, the differences in civicness across urban societies should show up in liberal parties support. This paper estimates this effect using social capital framework and drawing upon the data from Russian regions.


2014 ◽  
Vol 42 (3) ◽  
pp. 508-525 ◽  
Author(s):  
Alexander Maxwell ◽  
Alexander Campbell

The establishment of theNemzeti Casino(National Casino) in Pest helped establish civil society in nineteenth-century Hungary. Count István Széchenyi, hoping to modernize Hungary on the English model, established the casino in 1827 as a public forum for the Hungarian nobility. By transcending caste divisions between nobles and bourgeois elites, Széchenyi's casino served as an unofficial parliament and stock exchange, and generally helped cultivate Hungarian patriotism. The Pest Casino inspired a nation-wide trend for casinos, which in turn formed a civil society in opposition to Habsburg absolutism. Yet when the casino movement spread to Hungary's minority nationalities, Jews, Slovaks, Romanians, and particularly Croats, the casino also contributed to national divisions in Hungary's ethnically diverse population that affected the course of the 1848 Revolution.


2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.


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