early nineteenth century
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2022 ◽  
pp. 1-23
Author(s):  
Matteo Tiratelli

Abstract Debates about patterns of time use in eighteenth- and nineteenth-century Britain go back to the seminal work of E. P. Thompson in the 1960s. But the lack of systematic evidence means that many of these questions remain unresolved. In an attempt to advance those debates, this essay uses three catalogs of political events to reconstruct the working week in Britain over the long nineteenth century. Three patterns emerge. First, observance of Saint Monday appears to have been widespread in the early nineteenth century before declining slowly in the mid-1800s, a process that happened faster in factory towns than elsewhere. This finding supports the orthodox narrative about Saint Monday against its recent challengers (in particular Hans-Joachim Voth). Second, I find that political organizers in the early nineteenth century were reluctant to profane the Sabbath by arranging public meetings on Sundays, but that this came to an end during the heyday of Chartism. Third, these catalogs also provide some, more speculative, evidence that the working day and the working week became more ordered as the nineteenth century wore on.


2022 ◽  
pp. 1-24
Author(s):  
Stefania Galli

Abstract This study provides a novel analysis of occupational stratification in Sierra Leone from a historical perspective. By employing census data for early-nineteenth-century colonial Sierra Leone, the present study offers a valuable snapshot of a colony characterized by a heterogenous population of indigenous and migratory origin. The study shows that an association between colonial group categorization and socioeconomic status existed despite the colony being of very recent foundation implying a hierarchical structure of the society. Although Europeans and “mulattoes” occupied most high-status positions, as common in the colonies, indigenous immigrants were also represented in high socioeconomic strata thanks to the opportunities stemming from long- and short-distance trading. However, later arrivals, especially liberated slaves, belonged within the lowest socioeconomic strata of the society and worked as farmers or unskilled labor, suggesting that the time component may also have influence socioeconomic opportunities.


2022 ◽  
Vol 3 (1) ◽  
pp. 215-235
Author(s):  
Danielle Kinsey

This article analyzes George IV’s coronation as a multisensory festive experience in order to understand the meanings of diamonds within British material culture in 1821. Reframing the coronation as a festival allows historical scholars to bridge the premodern/modern divide in early nineteenth-century historiography and demonstrates the ongoing centrality of festivals in consumer culture in the modern era. It also offers a vantage point from which to study sensory paradigm shifts and clashes that occurred in this context and evaluate diamonds in relation to other pieces of material culture outside of the confines of a formal marketplace. The article argues that the coronation shifted how diamonds were thought about in Britain, though this shift was subtle and deeply embedded in the turmoil of the moment. On a widespread scale, the event normalized the association of diamonds with monarchy, imperial power, and light, in ways that made diamonds seem like quotidian items. The article is based on accounts of the event in newspapers, periodicals, and official histories.


2021 ◽  
Vol 2 ◽  
pp. 39-65
Author(s):  
Livia Bevilacqua

This article aims to a preliminary reassessment of the silk veil preserved in the Treasury of Trieste cathedral. The cloth is unparalleled in Byzantine as well in western medieval art, in that it is painted with tempera on both sides. It depicts a youthful martyr in a court costume, and bears an inscription that identifies the saint as St. Just. Since its alleged recovery from a reliquary in the early nineteenth century, the cloth has been often addressed by the scholars, who ascribed it either to a Byzantine or to a local master and dated it between the eleventh and the fourteenth century. Despite being referred to in several more general studies, it has been rarely considered individually. In this paper I address the many questions that the Trieste veil raises, including problems of chronology, provenance, function, and iconography. After careful observation and based on both primary sources and visual evidence, I argue that it was produced in Byzantium, possibly at an early date, to serve as a liturgical implement; later, it was brought to the West, where the saint was given a new identity and the cloth was reused as a banner after being painted on the reverse.


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