Evelyn Savidge Sterne. Ballots and Bibles: Ethnic Politics and the Catholic Church in Providence. (Cushwa Center Studies of Catholicism in Twentieth-Century America.) Ithaca: Cornell University Press. 2004. Pp. xv, 294. $34.95

2019 ◽  
pp. 146-162
Author(s):  
Sharon Erickson Nepstad

This chapter notes that American Catholics were initially quite reluctant to embrace environmentalism. It asks, after decades of political engagement with labor, poverty, peace, women’s rights, and immigration, why did US Catholics largely overlook the growing environmental problems in the twentieth century? And what caused this to change in the early twenty-first century? The chapter summarizes early Catholic efforts to promote environmentalism and describes the initial responses of the Catholic Church and its members, who often prioritized human needs over environmental matters. It also describes how the Catholic Church and Catholic laypeople started placing greater emphasis on the environment toward the end of the twentieth century. The chapter then surveys the main themes of various Catholic teachings and publications—from the US Catholic Bishops Conference’s Renewing the Earth (1991) to Pope Francis’s encyclical Laudato Si (2015)—that have given impetus to more Catholic environmental action. The chapter concludes with a description of the work of two activist groups: the National Religious Partnership for the Environment, an ecumenical organization, and Catholic Climate Change.


2021 ◽  
pp. 292-304
Author(s):  
Jennifer Walker

Taking the 1903 death of Pope Leo XIII as its starting point, the conclusion extends beyond the legal separation of Church and State (1905) in order to trace the ways in which the processes of transformation that were set in motion during the late nineteenth century continued well into the twentieth century. Pierre Nora’s concept of the lieu de memoire illuminates the numerous ways that the sites of Catholic and French memory that the book explores—whether as opera, popular theatre, or concert—found an extraordinary ally in the Republic as it collectively harnessed the power of memory. From its “origin” in the French medieval era, to its transformations throughout the fin-de-siècle, to the response to the devastating fire at Notre-Dame in 2019, the Catholic Church provided (and continues to provide) a new mode of expression for the French Republic. In effect, the success of the twentieth-century renouveau catholique was set in motion by its nineteenth-century forbear: the path was paved by the Republic’s musical Ralliement and the memorialization of its Catholic past as a fundamental cornerstone of its modern existence.


2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Pedro Erik Carneiro

Which are the ways of knowing, understanding and justifying war by the Popes since the twentieth century? The Catholic Church has a long tradition to determine the need of wars, called the Christian just war founded by St. Augustine. Since the twentieth century, however, the popes have showed hesitation, contradiction and negligence towards just war approach.


2013 ◽  
Vol 15 (2) ◽  
pp. 87 ◽  
Author(s):  
Alicja Boruc

Geography and the activity of Catholic publishing houses in the Kingdom of Poland in the second half of the nineteenth century and the beginning of the twentieth century This article tries to reconstruct the distribution of Catholic publishing houses that operated in the Kingdom of Poland in the second half of the nineteenth century. The author surveyed printing factories and Catholic bookshops, as well as editorial offices of magazines which spread the teachings of the Catholic Church. Publishing activities of these establishments and their importance in propagating the faith and Catholic teachings are presented.


2021 ◽  
pp. 209-259
Author(s):  
Francesca Brooks

Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of The Anathemata in ‘Sherthursdaye and Venus Day’ allows for the creation of a new sign of the cross for the twentieth century, a sign which draws together the English and Welsh traditions that have informed the institution of the Catholic Church in England and Wales, as well as the poet’s own Catholicism.


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