Both the fall of Troy and the Sea Peoples have been the subject of a vast literature. They were part of a common series of developments that affected the entire eastern Mediterranean and possibly the western Mediterranean too. Troy had been transformed at the end of the eighteenth century BC with the building of the most magnificent of the cities to stand on the hill of Hisarlık: Troy VI , which lasted, with many minor reconstructions, into the thirteenth century BC . The citadel walls were nine metres thick, or more; there were great gates and a massive watchtower, a memory of which may have survived to inspire Homer; there were big houses on two floors, with courtyards. The citadel was the home of an elite that lived in some style, though without the lavish accoutrements of their contemporaries in Mycenae, Pylos or Knossos. Archaeological investigation of the plain beneath which then gave directly on to the seashore suggests the existence of a lower town about seven times the size of the citadel, or around 170,000 square metres, roughly the size of the Hyksos capital at Avaris. One source of wealth was horses, whose bones begin to appear at this stage; Homer’s Trojans were famous ‘horse-tamers’, hippodamoi, and even if he chose this word to fit his metre, it matches the archaeological evidence with some precision. In an age when great empires were investing in chariots, and sending hundreds of them to perdition at the battle of Kadesh (or, according to the Bible, in the depths of the Red Sea), horse-tamers were certainly in demand. Opinion divided early on the identity of the Trojans. Claiming descent from Troy, the ancient Romans knew for sure that they were not just a branch of the Greek people. Homer, though, made them speak Greek. The best chance of an answer comes from their pottery. The pottery of Troy is not just Trojan; it belongs to a wider culture that spread across parts of Anatolia.
The migrations of the Sea Peoples circa 1200 BC according to written sources, narrative tradition and archaeology
