5. Picture language

2018 ◽  
pp. 79-89
Author(s):  
Paul Luna
Keyword(s):  
Eighteenth Century ◽  
Data Visualization ◽  
Graphic Communication ◽  
Held Back

For centuries, images were regarded as inferior to language and seen as an embellishment or decoration, despite their undoubted power to transmit information. This held back the development of graphical presentations of data, because numbers in tables were seen as more trustworthy. The presentation of statistics in charts only began at the end of the eighteenth century. ‘Picture language’ concentrates on a component shared by data visualization and wider graphic communication—the symbol—a graphic object used to represent a concept, action, instruction, or object. It considers how we recognize symbols and how they are used: in symbol sets and to present data.

scholarly journals Introduction: “Speaking to the Eyes”—Reassessing the Enlightenment in the Digital Age

2021 ◽  
pp. 1-27
Author(s):  
Ileana Baird
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Intellectual History ◽  
Data Visualization ◽  
Digital Humanities ◽  
Political Scientist ◽  
Use Of Data ◽  
The Enlightenment ◽  
New Findings ◽  
Data Visualizations

AbstractThis introduction provides a brief survey of the evolution of data visualization from its eighteenth-century beginnings, when the Scottish engineer and political scientist William Playfair created the first statistical graphs, to its present-day developments and use in period-related digital humanities projects. The author highlights the growing use of data visualization in major institutional projects, provides a literature review of representative works that employ data visualizations as a methodological tool, and highlights the contribution that this collection makes to digital humanities and the Enlightenment studies. Addressing essential period-related themes—from issues of canonicity, intellectual history, and book trade practices to canonical authors and texts, gender roles, and public sphere dynamics—, this collection also makes a broader argument about the necessity of expanding the very notion of “Enlightenment” not only spatially but also conceptually, by revisiting its tenets in light of new data. When translating the new findings afforded by the digital in suggestive visualizations, we can unveil unforeseen patterns, trends, connections, or networks of influence that could potentially revise existing master narratives about the period and the ideological structures at the core of the Enlightenment.

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