In Praise of Books: A Cultural History of Cairo's Middle Class, Sixteenth to the Eighteenth Century

2006 ◽  
Vol CXXI (490) ◽  
pp. 312-313
Author(s):  
Anthony Gorman
Keyword(s):  
Eighteenth Century ◽  
Middle Class ◽  
Cultural History ◽  
History Of

scholarly journals Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)

2020 ◽  
Keyword(s):  
Eighteenth Century ◽  
Iberian Peninsula ◽  
Cultural History ◽  
Multidisciplinary Approach ◽  
Complex Phenomenon ◽  
Italian History ◽  
History Of ◽  
History Of Europe ◽  
European Theatre ◽  
Theatrical Companies

At the height of its development and up to the eighteenth century, the Spanish classical theatre significantly contributed to the formation of the modern European theatre. Theatre texts and theatrical companies were in fact circulating outside the Iberian peninsula and the Spanish experience of theatre triggered literary debates and reflections that played a central role to the cultural history of Europe, from Neoclassicism to the beginnings of Romanticism. It is a complex phenomenon crossing linguistically and culturally diversified territories, and which therefore needs an inter- and multidisciplinary approach. We tried to respond to this need by involving scholars and researchers in the fields of Hispanic, French, Italian, history of entertainment and musicology for the drafting of this volume.

Respectable Mistresses

2018 ◽  
Author(s):  
Nicole von Germeten
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Middle Class ◽  
Mexico City ◽  
Sex Work ◽  
Legal History ◽  
Gender And Sexuality ◽  
Public Order ◽  
Sexually Active ◽  
History Of

This chapter begins with a quote from the celebrated seventeenth-century Mexico City Poet, Sor Juana Ines de la Cruz, highlighting the hypocritical intersection between gender and sexuality in this era. The focus here is on the legal history of eighteenth-century middle class women who retained a degree of public honor as they took part in sex work inside their homes.The confused eighteenth-century reactions by church, state, and neighbors to sexually active women often derived from increased opportunities for permitted or at least tolerated socializing between the sexes. These new social spaces challenged official ideas of public order and permissible gender interaction.

Kese and Tellak: Cultural Framings of Body Treatments in the ‘Turkish Bath’

2016 ◽  
Vol 24 (3) ◽  
pp. 462-469
Author(s):  
Kornelia Hahn
Keyword(s):  
Eighteenth Century ◽  
Cultural History ◽  
Present State ◽  
Temporal Order ◽  
Western Culture ◽  
Steam Bath ◽  
Cultural Practice ◽  
Islamic Culture ◽  
History Of ◽  
Specific Culture

Using water for body treatments has an especially long tradition in many cultures and, is deeply intertwined with Roman and Ottoman culture. However, it is clear that today it is not possible to attribute bathing – not even a specific type of bathing, such as the hammam steam bath – to one particular culture (ignoring the obvious problems associated with trying to delineate clearly between such blurred constructs as a specific culture or as a discrete entity). Thus, the ‘Turkish bath’ is a widely used term introduced to Europe in the eighteenth century or applied to various different manifestations. The term reflects the European perception of Turkish bathing culture, primarily connected with bathing within a hammam complex or – as the Turkish term goes – a hammami. Bathing in the hammam-style is rather a Roman cultural practice, an element adapted and integrated in Ottoman culture and readapted thereafter into modern Western culture. It is often believed that these practices are rooted in the cultural history of the present state of Turkey (although ancient ‘Turkish bath’ architecture famously exists in Greece or Albania, too1). Furthermore, the geographical or architectural nexus between mosques and hammams and, also, the temporal order of Islamic culture (in which visiting a hammam before various ritual occasions is required) have often suggested seeing the Turkish bath as a religious custom.

Bourgeoisie

2012 ◽  
Author(s):  
Sarah Maza
Keyword(s):  
Eighteenth Century ◽  
Middle Class ◽  
Early Modern ◽  
Social History ◽  
French Revolution ◽  
Historical Narratives ◽  
French History ◽  
Old Regime ◽  
The Social ◽  
History Of

The concept of a group called “the bourgeoisie” is unusual in being both central to early modern and modern European history, and at the same time highly controversial. In old regime France, people frequently used the words “bourgeois” or “bourgeoisie” but what they meant by them was very different from the meaning historians later assigned to those terms. In the nineteenth century the idea of a “bourgeoisie” became closely associated with Marxian historical narratives of capitalist ascendancy. Does it still make sense to speak of a “bourgeoisie”? This article attempts to lay out and clarify the terms of the problem by posing a series of questions about this aspect of the social history of Ancien Régime France, with a brief look across the Channel for comparison. It considers first the problem of definition: what was and is meant by “the bourgeoisie” in the context of early modern French history? Second, what is the link between eighteenth-century economic change and the existence and nature of such a group, and can we still connect the origins of the French Revolution to the “rise” of a bourgeoisie? And finally, can the history of perceptions and representations of a bourgeoisie or middle class help us to understand why the concept has been so problematic in the longer run of French history?

scholarly journals Politeness in eighteenth-century drama: a discursive approach

2016 ◽  
Vol 12 (1) ◽  
Author(s):  
Andreas H. Jucker
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Middle Class ◽  
Moral Values ◽  
Communicative Acts ◽  
Restoration Drama ◽  
Testing Ground ◽  
History Of ◽  
Early Eighteenth Century ◽  
Good Behaviour

AbstractFictional texts constitute complex communicative acts between an author and an audience, and they regularly depict interactions between characters. Both levels are susceptible to an analysis of politeness. This is particularly true for early eighteenth-century drama, which – in the context of the age of politeness – established new dramatic genres to educate and edify their audiences. Characters were used to demonstrate good or bad behaviour as examples to be followed or avoided. Early eighteenth-century drama was a reaction against what was considered to be the immorality and profanity of Restoration drama of the seventeenth century. Two plays serve as illustrations and a testing ground for an analysis of fictional politeness that considers both communicative levels; the play itself and the interactions within the play. Richard Steele’s sentimental comedy “The Conscious Lovers” (1722) gives an example of good behaviour by being exceedingly polite to the audience in the theatre through characters that are exceedingly polite to each other; and George Lillo’s domestic tragedy “The London Merchant, or the History of George Barnwell” (1731) shows the “private woe” of everyday characters in order to warn the younger generation against wrongdoing and to propagate middle-class virtues and moral values.

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