Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement

2016 ◽  
Vol 103 (2) ◽  
pp. 521.2-522
Author(s):  
Sarah Azaransky

The introduction describes a group of black Christian intellectuals and activists who looked abroad, even in other religious traditions, for ideas and practices that could fuel a racial justice movement in the United States. They envisioned an American racial justice movement akin to independence movements that were gaining ground around the world. The American civil rights movement would be, as Martin Luther King Jr., later described it, “part of this worldwide struggle.”


1979 ◽  
Vol 36 (1) ◽  
pp. 4-9
Author(s):  
Eugene Carson Blake

Eugene Carson Blake has in recent years been actively associated with the Christian citizens' movement, Bread for the World. Before retiring as Secretary of the World Council of Churches in 1972, he served both church and society in many leading capacities, as a distinguished pastor, the chief executive officer of his denomination (the United Presbyterian Church), university and seminary trustee, and president of the National Council of Churches. In 1960, he preached a sermon in the Episcopal Cathedral of San Francisco, where the late James A. Pike was Bishop. This sermon, welcomed by the Bishop, led to the establishment of the Consultation on Church Union. In the forefront of the civil rights movement, Blake was jailed, vilified, and denounced as a communist. In 1978, he was made the subject of a biography, Eugene Carson Blake: Prophet With Portfolio, by R. Douglas Brackenridge (Seabury Press). This present essay is a revised version of an address delivered at Trinity University, San Antonio, Texas, as “The Willson Lecture.”


2021 ◽  
Vol 15 (4) ◽  
pp. 461-465
Author(s):  
Stephen Stacks

In the teaching of history, oversimplification is, perhaps, unavoidable. In certain cases, however, that oversimplification can be deadly. There are some lessons that are too complex, some stories that are too nuanced, to be reduced in such a way. By their contours and particularities, they resist easy digestion. In the spirit of this particularity, my contribution to the colloquy is specific, but hopefully applicable to contexts beyond its specificity: I argue that the US Black Freedom Movement (or civil rights movement) and its music is a story that must be taught in all its complexity, for oversimplifying it does concrete harm to the ongoing struggle against white supremacy in the present. Teaching the US Black Freedom Movement and its music is also vital if we hope to enable our students to be forces of understanding, healing, and justice in the world, and should be an integral component of any undergraduate music curriculum that hopes to be antiracist.


2018 ◽  
pp. 99-119
Author(s):  
Grace Elizabeth Hale

In “Participatory Documentary: Recording the Sound of Equality in the Southern Civil Rights Movement,” Grace Hale examines the work of noted New Left documentary makers Guy and Candie Carawan, who recorded documentary albums of mass meetings and protest actions during the southern civil rights movement. The production of these albums, Hale argues, which render the voices of African Americans denied official political representation in a segregated society, enacted a mode of participatory documentary, prefiguring the world to which its participants aspired.


Author(s):  
Gary Dorrien

Benjamin E. Mays and Howard Thurman differently exemplified the black social gospel as theologians, lecture circuit speakers, and academics. In their early careers they formed a social gospel trio with Mordecai Johnson at Howard University. Later they influenced Martin Luther King Jr. and other leaders of the Civil Rights Movement. Mays was an educator, theologian, and activist in the Johnson mode, while the later Thurman gave himself to mystical theology and ecumenical ministry.


2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.


Author(s):  
William Ayers ◽  
Rick Ayers ◽  
Joel Westheimer

Social movements change the world. Thus, they shape curriculum. Participation in movements educates the public by altering viewpoints and actions. Likewise, participants learn through participation in social movements; therefore, social movements can be considered curricula. The experiences of social movements are curricula that exist in and out of schools. Examples of the myriad connections among school curriculum, nonschool curriculum, and social movements interact in dynamic fluidity. Curriculum is much more than a course syllabus, set of plans, or the indoctrinations or liberations intended by schools. Curriculum includes all experiences of schooling and contexts that influence schooling: intended, taught, tested, hidden, excluded, outside, peer-driven, and more. It encompasses knowledge, relationships, and interpretations that students bring to school or anywhere else. These multiple dimensions of curriculum also exist in the diverse experiences, institutions, and gatherings of everyday life. Alternative forms of curriculum have been envisioned and enacted over the centuries to overcome the dominance of autocratic forms of education. Social movements educate and are therefore curricular. A noteworthy example of curricula of social movements is the Civil Rights Movement, particularly the Mississippi Freedom Schools in the United States. Another example is the Highlander Folk School in Tennessee, founded by Myles Horton and based on the Danish model of folk schools, which was a center of inspiration and praxis for participants in the Civil Rights Movement. Emancipatory educational movements are exemplified in the problem-posing work of Paulo Freire, initially in Brazil, evolving to counter the oppressiveness of “banking” forms of education in many parts of the world. Freire has shown how oppressed persons could be major creators of their own education, by learning to name, write, and read the world to compose a more just world. In the second decade of the 21st century, young climate activists, such as Xiye Bastida and Greta Thunberg, have advocated ecological renewal; this has grown into a worldwide movement, captured in the title “Fridays for Future.” Local examples include the insightful stories in The Journal of Ordinary Thought, inspired and evoked by Hal Adams and authored by the parents of students in some of Chicago’s most impoverished Black neighborhoods in the late 20th century. Global movements include Black Lives Matter, which has manifested itself as an act of solidarity in the second decade of the 21st century. Social movements, of which the contributions of Martin Luther King, Jr. are an emblematic example, teach the power of learning and the learning of power. They help raise the deepest and most worthwhile questions: What does it mean to be human? Who am I in relation to others? What kind of a society do we want to create? How can schools and other public spaces become generative sites of contention and authentic engagement? That is where a curriculum of social movements comes to life. What lessons might educators learn from the examples of a curriculum of social movements? How should we live? How will we live? What will you do about it?


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