scholarly journals Music of the 1960s: The Praxis of Ideological Change

2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.

Author(s):  
Natsu Taylor Saito

In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, education, employment, health, housing, and incarceration remain entrenched. In addition, we have seen a resurgence of overt White supremacy following the election of President Trump. This chapter considers the potential of movements like Black Lives Matter and the Standing Rock water protectors in light of the experiences of the Black Panther Party, the American Indian Movement, and other efforts at community empowerment in the “long sixties.”


Author(s):  
Sarah Azaransky

The introduction describes a group of black Christian intellectuals and activists who looked abroad, even in other religious traditions, for ideas and practices that could fuel a racial justice movement in the United States. They envisioned an American racial justice movement akin to independence movements that were gaining ground around the world. The American civil rights movement would be, as Martin Luther King Jr., later described it, “part of this worldwide struggle.”


Author(s):  
Blake Scott Ball

Charles Schulz’s Peanuts was an unexpectedly political comic strip. While many people have come to identify Charlie Brown, Linus, Lucy, Peppermint Patty, and Snoopy with childhood and innocence, Peanuts regularly commented on the politics and social turmoil of Cold War America. From nuclear testing to the civil rights movement, from the Vietnam War to the feminist revolution, Peanuts was an unlikely medium for Americans of all stripes to debate the hopes and fears of the era. Charlie Brown’s America is the story of how the creation of one Midwestern man became one of the most influential pop-culture properties of the twentieth century and what its popularity reveals about the character of the United States.


2019 ◽  
Vol 16 (1) ◽  
pp. 267-277
Author(s):  
Leah Wright Rigueur ◽  
Anna Beshlian

AbstractThis paper offers a broad overview of Black citizenship within the United States, concentrating on the major shifts in Black life that have transpired since the classical phase of the Civil Rights Movement of the 1960s. We examine several critical aspects of Black citizenship including economic status, education, criminal justice and mass incarceration, and political participation. Our report reveals that Black progress toward equal citizenship is inconsistent at best; at worst, it is stagnant and at times, regressive. As such, we conclude that dramatic solutions beyond traditional reformist approaches are needed in order to realize genuine citizenship and equal rights for Black people within the United States. In closing, we briefly highlight a specific example of a strategic approach to advancing substantive social and political change.


2021 ◽  
Vol 13 (1) ◽  
pp. 33-40 ◽  
Author(s):  
Anthony J. Harris

The author discusses three historical civil rights movements in the United States—Civil Rights Movement of the 1960s; the Million Man March; and the Black Lives Matter Movement (BLM). The author compares and contrasts each movement and event from his perspective as a participant in each and identifies similarities and differences among them. The Civil Rights Movement of the 1960s was born out of a desire and need to end legalized segregation, better known as Jim Crowism, in the south. Strategies included direct action, passive resistance, and redress of grievances through the judicial system. The Million Man March, which occurred in 1995 in Washington D.C., brought together more than a million Black men from across the United States. Moreover, it was an extension of the Civil Rights Movement of the 60s. Whereas the latter was established as a response to legalized racial segregation in the south, the former was designed to instill a sense of responsibility and accountability among Black men as leaders in their communities. In addition, the Million Man March attempted to bring greater awareness of the unkept promise of racial equality. The BLM Movement provided an opportunity for multiple generations from multiple ethnic, cultural, and racial groups to coalesce around the issue of police brutality. Following the death of Trayvon Martin in 2013 and continuing to the present time, the BLM platform has become the principal venue through which outrage is expressed over the deaths of innocent, unarmed Black men and women by law enforcement and White vigilantes.


Slavic Review ◽  
1999 ◽  
Vol 58 (2) ◽  
pp. 407-427 ◽  
Author(s):  
Wendy Slater

A nation's shared culture reflects its status as an "imagined community."1 Different sections of the imagined community, however, have their own ideas about what the shared culture should include and what ought to be excluded from it, and this incessant debate over the cultural canon affects the nation's sense of identity. The rise of the civil rights movement and feminism in the United States in the 1960s, for example, challenged the dominance of "dead white males" in the American literary canon. Political as much as aesthetic considerations, then, dictate what the canon of works that constitute any shared culture should include. Similarly, political circumstances often determine the "correct" interpretation of these works.


2021 ◽  
pp. 1-14
Author(s):  
Renate L. Chancellor ◽  
Paige DeLoach ◽  
Anthony Dunbar ◽  
Shari Lee ◽  
Rajesh Singh

The death of George Floyd, at the hands of the Minnesota police on May 25, 2020, sparked a global uproar that many have argued has not occurred since the Civil Rights movement of the 1960s. It is unclear why this particular incident elicited such a visceral and widespread response, especially in light of the fact that police brutality towards Blacks in America is not a new phenomenon. This paper examines the national response to Floyd’s death within the contexts of CRT, the history of systemic racism in the United States, and questions how race and inequity issues have been addressed in LIS. The authors provide actionable measures that could go a long way in moving the discipline toward a shift in thinking. However, they find that these efforts need to be sustained, because one-shot events, training sessions, or activities rarely result in any real change. Real progress, they conclude, will require more than new laws. It will also require a seismic societal shift in attitude.


2014 ◽  
Vol 24 (2) ◽  
pp. 386-424 ◽  
Author(s):  
Rosanne Waters

Several recent historical works have challenged interpretations of the civil rights movement in the United States as a strictly domestic story by considering its connections to anti-racist struggles around the world. Adding a Canadian dimension to this approach, this article considers linkages between African Canadian anti-discrimination activism in the 1950s and early 1960s and African American civil rights organizing. It argues that Canadian anti-discrimination activists were interested in and influenced by the American movement. They followed American civil rights campaigns, adapted relevant ideas, and leveraged the prominent American example when pressing for change in their own country. African Canadian activists and organizations also impacted the American movement through financial and moral support. This article contributes to the study of African Canadian history, Canadian human rights history, and the American civil rights movement by emphasizing the local origins of anti-discrimination activism in Canada, while also arguing that such efforts are best understood when contextualized within a broader period of intensive global anti-racist activism that transcended national borders.


2009 ◽  
Vol 89 (4) ◽  
pp. 603-641 ◽  
Author(s):  
Karin Alejandra Rosemblatt

Abstract The anthropologist Oscar Lewis first used the term “culture of poverty” in a 1959 article on Mexico. Within months, the idea that the poor had a distinct culture became part of a passionate, decade-long, worldwide debate about poverty. Scholars, policy makers, and broader publics discussed what caused poverty and how to remedy it. How entrenched were the class and racial differences that led to poverty? How did those differences affect a country’s standing in the community of nations? This article tracks the concept of a culture of poverty as a way of probing the reciprocal, if unequal, connections between Mexico and the United States and their relation to national narratives and policy debates. It tracks how Lewis’s formulation of a culture of poverty drew on his training as an anthropologist in the United States, his extensive dialogue with Mexican intellectuals, and his fieldwork in Mexico. It also shows how Lewis and others reformulated the notion in response to intense public controversies in Mexico and Puerto Rico; the vehement U.S. discussions surrounding the War on Poverty and Daniel Patrick Moynihan’s report on the Negro family, and larger events such as the Cuban Revolution, the U.S. civil rights movement, decolonization, the Vietnam War, and second-wave feminism.


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