scholarly journals Contemporary history of the French revolution

1889 ◽  
Vol s7-VIII (186) ◽  
pp. 60-60
2009 ◽  
pp. 709-730
Author(s):  
Corrado Bertani

- Certain circumstances and stylistic considerations lead us to believe that the manuscript MS. 114 in the Mendelssohn Archive at the Staatsbibliothek in Berlin is (in part) evidence of a course in "Contemporary History" held by Leopold Ranke at the city's university in the summer term of 1827. The course was on the chronological history of the French Revolution. Ranke had already dealt with the same subject the year before, though in a less detailed manner. And it was not until 1875 that he published a work on the period of the Revolution, but focussing solely on the war between the European powers in 1791-1792. Hence the importance of the new manuscript - in Felix Mendelssohn Bartholdy's own hand - which, previously, had been mistakenly connected with the teaching of the Hegelian jurist Eduard Gans. Mendelssohn attended his course on the French Revolution in the summer of 1828.


2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


Author(s):  
Ruth Scurr

Thomas Carlyle claimed that his history of the French Revolution was ‘a wild savage book, itself a kind of French Revolution …’. This chapter considers his stylistic approaches to creating the illusion of immediacy: his presentation of seemingly unmediated fact through the transformation of memoir and other kinds of historical record into a compelling dramatic narrative. Closely examining the ways in which he worked biographical anecdote into the fabric of his text raises questions about Carlyle’s wider historical purposes. Pressing the question of what it means to think through style, or to distinguish expressive emotive writing from abstract understanding, is an opportunity to reconsider Carlyle’s relation to his predecessors and contemporaries writing on the Revolution in English.


1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.


1990 ◽  
Vol 20 (4) ◽  
pp. 669
Author(s):  
Eugen Weber ◽  
Emmet Kennedy

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