“It’s raining truffles, radishes and fennels,” says Sir John Falstaff, the richly humane and deeply funny title character of Giuseppe Verdi’s final masterpiece. While there are many ways that food, wine and other libations have been used in opera, somehow this line best captures both the grandeur and common touch that opera and gastronomy possess. For every rare and fragrant truffle, there are plenty of common but no less essential radishes and fennels, all of which have their metaphorical place in opera and real place in cookery. Giuseppe Verdi (1813-1901) was probably the most important Italian creative artist since the Renaissance. Not only was he the foremost composer of Italian opera and, for many, the greatest opera composer of all, but he was a knowledgeable gastronome and farmer as well. His most famous operas include tragedies and dramas such as Rigoletto, Il Trovatore, La Traviata, Aïda and Otello, but it was in his last work, the human comedy Falstaff, that he achieved his fullest expression of a philosophy that believes ‘All the world is a joke and man is born a clown.’
Le temps réécrit dans les livrets de Giuseppe Verdi. Éléments, temps et musique dans La Traviata, Rigoletto et Don Carlos
