Fair-Mindedness and Charity

2021 ◽  
pp. 226-250
Author(s):  
Nathan L. King

This chapter explores the virtues of fair-mindedness and intellectual charity, with a view toward diagnosing and curing problems with public discourse—especially online trolling, bullying, and incendiary speech. The chapter examines and applies intellectual parallels to the well-known Silver and Golden Rules of morality. By working through several realistic cases of discourse gone bad, it suggests a range of guidelines for fostering fair habits of mind. These guidelines describe the intellectual behavior of the fair-minded thinker. The chapter then moves to examine intellectual charity, a virtue that lies beyond fair-mindedness. It closes by arguing that the line between intellectual virtue and vice does not divide people along ideological lines.

2010 ◽  
Author(s):  
Mona Lisa Saloy ◽  
Cheryl Ajirotutu ◽  
Harry Vanodenallen
Keyword(s):  

2019 ◽  
Vol 16 (3) ◽  
pp. 429-439
Author(s):  
Kamber Güler

Discourses are mostly used by the elites as a means of controlling public discourse and hence, the public mind. In this way, they try to legitimate their ideology, values and norms in the society, which may result in social power abuse, dominance or inequality. The role of a critical discourse analyst is to understand and expose such abuses and inequalities. To this end, this paper is aimed at understanding and exposing the discursive construction of an anti-immigration Europe by the elites in the European Parliament (EP), through the example of Kristina Winberg, a member of the Sweden Democrats political party in Sweden and the political group of Europe of Freedom and Direct Democracy in the EP. In the theoretical and methodological framework, the premises and strategies of van Dijk’s socio-cognitive approach of critical discourse analysis make it possible to achieve the aim of the paper.


2013 ◽  
Vol 10 (1) ◽  
pp. 71-80 ◽  
Author(s):  
Lucile Gruntz ◽  
Delphine Pagès-El Karoui

Based on two ethnographical studies, our article explores social remittances from France and from the Gulf States, i.e. the way Egyptian migrants and returnees contribute to social change in their homeland with a focus on gender ideals and practices, as well as on the ways families cope with departure, absence and return. Policies in the home and host countries, public discourse, translocal networks, and individual locations within evolving structures of power, set the frame for an analysis of the consequences of migration in Egypt. This combination of structural factors is necessary to grasp the complex negotiations of family and gender norms, as asserted through idealized models, or enacted in daily practices in immigration and back home.


2013 ◽  
Vol 10 (4) ◽  
pp. 727-745 ◽  
Author(s):  
Joseph Oldham

This article analyses three serialised adaptations of John le Carré novels produced by the BBC: Tinker Tailor Soldier Spy (1979), Smiley's People (1982) and A Perfect Spy (1987). It aims firstly to position them in the context of developments and trends during the period of the serials' production. It explores how, on the one hand, they were produced as variants on the classic serial model which aimed for a more contemporary focus and aesthetic in response to concurrent developments in British television drama, and on the other, how they have a complex and ambivalent relationship with the genre of television spy fiction. Secondly, this article builds upon this positioning of the serials to explore how the themes of le Carré’s novels are interpreted specifically for the television medium. Central to this is the issue of temporal displacement, as television's process of ‘working through’, often considered as characteristic of the medium's immediacy and ‘liveness’, is in this case delayed over many years by a cycle of continual adaptation. Here a particular narrative – the defection of Kim Philby in 1963 – resonates across three decades and is worked through in a variety of approaches, initially in the novels and subsequently reworked on television. It then examines how this manifests in the television adaptations in a contemporary heritage aesthetic which is complex and highly troubled.


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