The Contribution of Visual Area V5 to the Perception of Implied Motion in Art and Its Appreciation

2021 ◽  
pp. 107-111
Author(s):  
Marcos Nadal ◽  
Zaira Cattaneo

Does V5, a brain region involved in the perception of movement, contribute to the aesthetic appreciation of artworks that depict movement? In the study under discussion, the authors asked participants to view abstract and representational artworks depicting motion. While they judged the sense of motion conveyed by the artworks and how much they liked them, the authors delivered transcranial magnetic stimulation (TMS) over V5. They found that TMS over V5 reduced the sense of motion participants perceived and reduced how much participants liked the abstract paintings. These results show, first, that V5 is involved in extracting implied motion information even when the object whose motion is implied is not real. Second, they show that V5 is involved in extracting implied motion information even in the absence of any object, as in the abstract paintings. Finally, they show that activity in V5 plays a causal role in the appreciation of abstract art.

eLife ◽  
2017 ◽  
Vol 6 ◽  
Author(s):  
Wojciech K Zajkowski ◽  
Malgorzata Kossut ◽  
Robert C Wilson

The explore-exploit dilemma occurs anytime we must choose between exploring unknown options for information and exploiting known resources for reward. Previous work suggests that people use two different strategies to solve the explore-exploit dilemma: directed exploration, driven by information seeking, and random exploration, driven by decision noise. Here, we show that these two strategies rely on different neural systems. Using transcranial magnetic stimulation to inhibit the right frontopolar cortex, we were able to selectively inhibit directed exploration while leaving random exploration intact. This suggests a causal role for right frontopolar cortex in directed, but not random, exploration and that directed and random exploration rely on (at least partially) dissociable neural systems.


Neurology ◽  
2002 ◽  
Vol 58 (7) ◽  
pp. 1066-1069 ◽  
Author(s):  
L. Battelli ◽  
K. R. Black ◽  
S. H. Wray

2016 ◽  
Author(s):  
Wojciech Zajkowski ◽  
Malgorzata Kossut ◽  
Robert C. Wilson

AbstractThe explore-exploit dilemma occurs anytime we must choose between exploring unknown options for information and exploiting known resources for reward. Previous work suggests that people use two different strategies to solve the explore-exploit dilemma: directed exploration driven by information seeking and random exploration driven by decision noise. Here, we show that these two strategies rely on different neural systems. Using transcranial magnetic stimulation to selectively inhibit right frontopolar cortex, we were able to selectively inhibit directed exploration while leaving random exploration intact, suggesting a causal role for right frontopolar cortex in directed, but not random, exploration.


2017 ◽  
Author(s):  
Wojciech Zajkowski ◽  
Malgorzata Kossut ◽  
Robert C. Wilson

AbstractThe explore-exploit dilemma occurs anytime we must choose between exploring unknown options for information and exploiting known resources for reward. Previous work suggests that people use two different strategies to solve the explore-exploit dilemma: directed exploration, driven by information seeking, and random exploration, driven by decision noise. Here, we show that these two strategies rely on different neural systems. Using transcranial magnetic stimulation to inhibit the right frontopolar cortex, we were able to selectively inhibit directed exploration while leaving random exploration intact. This suggests a causal role for right frontopolar cortex in directed, but not random, exploration and that directed and random exploration rely on (at least partially) dissociable neural systems.


2021 ◽  
pp. 1-45
Author(s):  
Arefe Sarami ◽  
Reza Afhami ◽  
Johan Wagemans

Abstract Perceptual organisation is hypothesised as a key in the perception and appreciation of abstract art. Here, we investigated how relational and compositional features affected the perception and aesthetic appreciation of Black Square and Red Square by Kazimir Malevich (1915). We studied how (i) the presence and obliquity of the red square and (ii) the relative configuration of the black and red square affected the detectability of the obliquity of the black square in this artwork. Results showed that the simultaneous presence and obliquity of the red square masked the obliquity of the original black square. The likelihood of the black square being incorrectly perceived as an exact square was always maximum in the original configuration and even slight alterations in the original configuration of the work resulted in the obliquity of the black square to be noticed. The original artwork was more aesthetically preferred compared to its alternatives. We argue that the artist may have intentionally set the configuration to mask the obliquity of the black square and maximise the aesthetic preference.


2007 ◽  
Vol 7 (3) ◽  
pp. 225-232 ◽  
Author(s):  
James L. Alford ◽  
Paul van Donkelaar ◽  
Paul Dassonville ◽  
Richard T. Marrocco

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