Conclusion

Author(s):  
Ross Kane

The period of late antiquity provides an example of how syncretism’s use has changed over recent decades as scholars increasingly probe the usefulness of categories like religion or syncretism when applying them to non-Western cultures. Recent scholarship like David Frankfurter’s indicates that the term “syncretism” can remain a useful designation in religious studies when used reflexively. The term’s history can be folded into its present usage, such that the power dynamics behind its negative usage can be turned around. Concluding and summarizing the book’s claims for Christian theology, I argue that some syncretisms can be seen as means of the body of Christ growing in history, which the Swahili language calls umwilisho, or body-making.

Horizons ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 24-45
Author(s):  
Krešimir Šimić

After the initial contextualization of the topic, by following Nancy's juxtaposition strategy, this article points to two senses of the body that, according to him, have defined the Western culture. The first one, logos (principle precedes the body and gives it meaning); the second, sarx (the meaning of the body comes from the body itself, so that the body comes out of itself, alienates itself, and deconstructs its own representative activities). Next, I give a more precise depiction of Nancy's deconstruction of the body through an analysis of Corpus because it is precisely with this work (in the chapter On the Soul, which is also the title of Aristotle's well-known treatise dealing first and foremost with the body, and in the chapter The Extension of the Soul) that Nancy most explicitly deconstructs hylomorphic somatology, which largely influenced the Christian theology of the body. Furthermore, I interpret Genesis 2:18–25 (in constant dialogue with Nancy) as a theological reaction on Nancy's deconstruction of the body. In other words, on the basis of biblical texts, the “mystery of the body” is depicted. Finally, the article ends with a comparison of Nancy's “inoperative community” (communauté désoeuvrée) and the Body of Christ (church).


2010 ◽  
Vol 79 (3) ◽  
pp. 531-555 ◽  
Author(s):  
Catherine M. Chin

The late ancient body is a historiographical problem. In the combined lights of feminist, Foucaultian, and post-Foucaultian methodologies, much recent scholarship on bodies in late antiquity has focused on bodies as sites on which power relations are enacted and as discourses through which ideologies are materialized. Contemporary concern with definitions and representations of the posthuman, however—for example, in medical technologies that expand the capacities of particular human bodies, in speculative pursuit of the limits of avatars, or in the technological pursuit of artificial intelligence or artificial life—seem both to underline the fundamental lability of the body, and to require a broadening of scholarly focus beyond the traditional visible boundaries of the human organism. At the same time, scholarship on the posthuman emphasizes contemporaneity and futurity to an extent that may seem to preclude engagement with the premodern. I would like to suggest here that doubt about the boundaries of human embodiment is a useful lens through which to reconsider some very traditional questions in the history of Christianity, and that we may begin to think of bodies in Christian premodernity in terms of what we might call their pre-humanity, that is, as fundamentally open to extension, transformation, and multiple instantiation. The figure on whom I focus is Ambrose, the fourth-century bishop of Milan, who, I argue, defined his own body in such a way that he was able to instantiate physically in dozens of living human bodies, at least two dead human bodies, thousands of angelic bodies, and four church buildings. Ambrose's dynamic conception of his episcopal body was formed within a complex political and theological situation, so questions concerning the political ideology of bodies remain very much at issue. I add to these questions a concern for premodern uncertainty about how to recognize a body, both when it is visible and, perhaps more importantly, when it is not.


Author(s):  
Will Stockton

Through readings of Shakespeare and Paul, Members of His Body protests the Christian defense of marital monogamy. If the Paul who authors 1 Corinthians would prefer that unmarried believers remain single, the pseudonymous Paul of the epistle to the Ephesians argues that marriage affords the couple membership in the body of Christ. For neither Paul is plural marriage the antithesis of Christian marriage. For the Paul of Ephesians, plural marriage is rather the telos of Christian community. Building on scholarship regarding early modern sexualities, as well as on political-theological conversations about Pauline universalism, Members of His Body argues that marriage functions in The Comedy of Errors, The Merchant of Venice, Othello, and The Winter’s Tale as a contested vehicle of Christian embodiment. Shakespeare’s plays query the extent to which man and wife become “one flesh” through marriage, and the extent to which they share that fleshly identity with other Christians. These plays explore the racial, religious, and gender criteria for marital membership in the body of Christ. Finally, they suggest that marital jealousy and paranoia about adultery result in part from a Christian theology of shared embodiment. In the wake of recent arguments that expanding marriage rights to gay people will open the door to the cultural acceptance and legalization of plural marriage, Shakespeare’s plays remind us that much Christian theology already looks forward to this end.


2020 ◽  
Vol 29 (2) ◽  
pp. 301-304

Summary <p content-type="flush left">Wondrously Wounded sets out to reconfigure our theological idea of what disability is. It moves away, not only from charity or medical models, but also from some current thinking in disability theology (that those labelled disabled reveal humanity’s true vulnerability) to a starting point of all life being a gift, so all capable of mediating God’s goodness. Brock grounds his argument in patristic ideas of a radical Christian human solidarity, and a convincing exegesis of 1 Corinthians 12, the body of Christ and spiritual gifts. The whole is brought to life by an account of Brock’s son, Adam, who is labelled disabled, but who under this analysis is perhaps the healthiest of us all. This is an important next step in the development of a convincing Christian theology of disability.


2021 ◽  
Vol 69 (3) ◽  
pp. 105-122
Author(s):  
Marek Dobrzeniecki ◽  
Derek King

The paper explores Pascal’s idea according to which the teachings of the Church assume the hiddenness of God, and, hence, there is nothing surprising in the fact of the occurrence of nonresistant nonbelief. In order to show it the paper invokes the doctrines of the Incarnation, the Church as the Body of Christ, and the Original Sin. The first one indicates that there could be greater than nonbelief obstacle in forming interpersonal bonds with God, namely the ontological chasm between him and human persons. The assumption of the human nature by the Son of God could be seen as a cure for this problem. The doctrine of the Church shows it as an end in itself, and in order for the Church to have meaning and to exist there has to be nonbelief in the world. Finally, the dogma of the Original Sin shows that there is no category of purely nonresistant nonbelief. The paper also addresses Schellenberg’s “accommodationist strategy” from the perspective of the Christian theology and in the last part it investigates what should be the influence of the fact of the hiddenness on theology’s take on the divine revelation.


2013 ◽  
Vol 3 (2) ◽  
pp. 59-96
Author(s):  
Sørina Higgins

In his unfinished cycle of Arthurian poems, Charles Williams developed a totalizing mythology in which he fictionalized the Medieval. First, he employed chronological conflation, juxtaposing events and cultural references from a millennium of European history and aligning each with his doctrinal system. Second, following the Biblical metaphor of the body of Christ, Blake’s symbolism, and Rosicrucian sacramentalism, he embodied theology in the Medieval landscape via a superimposed female figure. Finally, Williams worked to show the validity of two Scholastic approaches to spirituality: the kataphatic and apophatic paths. His attempts to balance via negativa and via positiva led Williams to practical misapplication—but also to creation of a landmark work of twentieth century poetry. . . . the two great vocations, the Rejection of all images before the unimaged, the Affirmation of all images before the all-imaged, the Rejection affirming, the Affirmation rejecting. . . —from ‘The Departure of Dindrane’ —O Blessed, pardon affirmation!— —O Blessed, pardon negation!— —from ‘The Prayers of the Pope’


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