The Old Story: Economic Globalization, the Market Consensus, and the New State Religion

Author(s):  
Robert Nadeau

The new york times editorial page attributed the lack of regulation that resulted in the meltdown of the financial markets in 2008 to the “Bush administration’s magical belief that the market, with its invisible hand, works best when it is left alone to self regulate and self correct.” But what the editorial failed to mention is that the Bush administration’s $700 billion economic stimulus plan and the Obama administration’s $789 billion American Recovery and Reinvestment Act were both predicated on this magical belief. The fundamental assumption in these plans was that the meltdown occurred because the self-correcting and self-regulating dynamics associated with the invisible hand ceased to function properly. And the intent of the plans was to create market conditions in which these dynamics could begin to function properly with a massive infusion of capital generated by deficit spending. This meltdown began after the collapse of the markets for derivative contracts that allow buyers to hedge against economic gains or losses. In the parlance of mainstream economists, a derivative is an agreement between two parties that the value of something is determined by the price movement of something else, and hedging allows a buyer or seller to protect assets or incomes against future rises in prices. In derivatives markets, debt is used to generate surplus capital, and this surplus is used to borrow increasingly larger sums of money in a process economists call financial leveraging. Traditional derivative trading was in commodity-related futures contracts, and the amount of debt that could be used as financial leverage was highly regulated. In these markets, buyers could hedge against unpredictable changes in the prices of real assets, such as wheat or cotton, and each commodity was traded separately. But this situation changed dramatically after December 2000, when the U.S. Congress banned the regulation of derivatives by passing the Commodity Futures Modernization Act. The rationale for passing this bill, which was largely written by representatives of the investment banks that would later make enormous profits in derivatives trading, appealed to two assumptions in neoclassical economic theory.

2002 ◽  
Vol 79 (2) ◽  
pp. 275-293 ◽  
Author(s):  
Jack Lule

This article studies New York Times editorials in the aftermath of September 11 from the perspective of myth. After defining myth and reviewing a wide range of scholarship that approaches news as myth, this article considers the ways in which editorials can be understood as myth. Textual analysis shows that over the course of four weeks, the New York Times drew from four central myths to portray events: the End of Innocence, the Victims, the Heroes, and the Foreboding Future. More than editorial “themes” or political “issues,” these were myths that invoked archetypal figures and forms at the heart of human storytelling.


2000 ◽  
Vol 49 (1) ◽  
pp. 131-165 ◽  
Author(s):  
Kyu Ho Youm

Three Korean women won $75,000 in damages in a libel action against the American-owned Newsweek, Inc. in Seoul for publication of a defamatory photo and a caption in the Pacific edition of Newsweek. A Singapore judge awarded former Prime Minister Lee Kuan Yew of Singapore and two others a §678,000 damage award against the International Herald Tribune, owned by the New York Times Co. and the Washington Post Co., for libel relating to an editorial-page column about the “dynastic politics” in the island nation.


Author(s):  
Ivan Kreilkamp

It has become a truism that contemporary multi-season TV dramas are inheritors of the methods and aims of Victorian serial fiction, or, as theNew York Timeseditorial page put it in 2006, that if “Charles Dickens were alive today, he would watchThe Wire, unless, that is, he was already writing for it.” While not absolutely denying the validity of such assertions, this essay reconsiders them. Sergei Eisenstein’s 1949 essay “Dickens, Griffith, and the Film Today," now alocus classicusfor thinking about the links between nineteenth-century fiction and twentieth- and twenty-first-century cinematic media, first formulated a model that has remained influential for considering Victorian fiction, and especially Dickens’s novels, as offering a “pedigree” and parentage for filmic media. But through a reading of several test cases of contemporary neo-Victorian adaptation, broadly construed—including Dickensian references inThe Wire,South Park’s animatedGreat Expectationsadaptation episode, and references to George Eliot in Kazuo Ishiguru’s novelNever Let Me Go—this essay questions and complicates Eisenstein’s paradigm of the Victorian novel as parent to contemporary media.


2003 ◽  
Vol 15 (3) ◽  
pp. 98-105 ◽  
Author(s):  
Mark Galliker ◽  
Jan Herman
Keyword(s):  
New York ◽  

Zusammenfassung. Am Beispiel der Repräsentation von Mann und Frau in der Times und in der New York Times wird ein inhaltsanalytisches Verfahren vorgestellt, das sich besonders für die Untersuchung elektronisch gespeicherter Printmedien eignet. Unter Co-Occurrence-Analyse wird die systematische Untersuchung verbaler Kombinationen pro Zähleinheit verstanden. Diskutiert wird das Problem der Auswahl der bei der Auswertung und Darstellung der Ergebnisse berücksichtigten semantischen Einheiten.


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