When Feminism Went to Market

Author(s):  
Rachel R. Miller

The comics anthology has long served as a productive format by which creators with a feminist consciousness have made their individual efforts visible and elaborated their networks of other like-minded creators. The material conditions under which comics anthologies with a feminist consciousness are made and received reveal how comics are a unique medium whose reach extends beyond the spaces where we expect to find feminist discourse, such as the feminist bookstore, rally, or consciousness-raising meeting. Looking at how feminist comics anthologies address these material conditions, this chapter considers how Sarah Dyer’s Action Girl Comics anthology in the early 1990s is inflected by Dyer’s history as a grass-roots zine maker and situates itself within the larger comics industry. The chapter then turns to Dyer’s archive at the Sallie Bingham Center to elaborate how her all-girl comics anthology’s mission to saturate the comics marketplace with women’s work actually played out.

Sociology ◽  
1998 ◽  
Vol 32 (4) ◽  
pp. 869-873 ◽  
Author(s):  
HARRIET BRADLEY
Keyword(s):  

1988 ◽  
Vol 33 (10) ◽  
pp. 921-922
Author(s):  
No authorship indicated
Keyword(s):  

1989 ◽  
Vol 34 (9) ◽  
pp. 832-833
Author(s):  
Marianne LaFrance
Keyword(s):  

Waterlines ◽  
1982 ◽  
Vol 1 (1) ◽  
pp. 20-21
Author(s):  
Barbara Rogers
Keyword(s):  

2015 ◽  
Vol 1 (2) ◽  
pp. 135-143 ◽  
Author(s):  
Laura Isabel Serna

This short essay sketches the career of Anita Uada Maris Boggs, cofounder of the Bureau of Commercial Education, a charitable organization that from the 1910s through the 1930s circulated a library of sponsored films. I argue that Boggs's absence from film historiography has been doubly determined: first by the relative invisibility of educational film, and second by ideologies of gender that obscured women's work in the film industry, broadly construed, behind that of their male collaborators.


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