Asian American Literature: Reviews and Criticism of Works by American Writers of Asian Descent99204Edited by Lawrence J. Trudeau. Asian American Literature: Reviews and Criticism of Works by American Writers of Asian Descent. Farmington Hills, MI: Gale Research 1999. xii + 536 pp, ISBN: 0 7876 0296 5 £76.00

1999 ◽  
Vol 13 (4) ◽  
pp. 27-27
Author(s):  
William Baker
Author(s):  
Thomas Xavier Sarmiento

Literature that features Asian Americans in the Midwest simultaneously functions as an archive that documents the existence and experiences of people of Asian descent in the heartland and as a provocation to reimagine the relationship between race, place, and (trans)national belonging. Although Asian people have been immigrating to the middle of the country since the late 19th century, the Midwest continues to figure as a hinterland where Asian people do not reside and have no desire to visit. Thus, fictional, semi-fictional, and autobiographical accounts of the region from the perspective of Asian Americans, spanning at least eight decades, help debunk the impression that Asian Americans are practically nonexistent in the Midwest, or that Midwestern Asian Americans do not have an authentic sense of racial-ethnic identity. These novels, short stories, memoirs, and plays not only engage the strangeness of being of Asian descent in America’s heartland, but also they explore imaginative ideas of affinity and place: what it means to dream of elsewheres or to rework the realities of “here” from the lens of so-called nowheres. Some of these texts depict the history of Asian migration to and refugee resettlement in the US interior, gesturing toward alternative genealogies of movement and displacement. Others create new worlds that fuse food (e.g., pop and tea, hotdish and chicken afritada), language, and other transcultural practices. Midwestern Asian American literature encompasses stories by and about East Asian, Southeast Asian, and South Asian peoples whose lives intersect with gender, sexuality, class, and ableness. Literature about Asian Americans in the Midwest often communicates a sense of racial isolation: the loneliness and abjection Asian Americans feel in being the only Asian person or one of a handful of persons treading in a sea of whiteness. However, it also can provoke readers to reimagine the Midwest as Asian, female empowering, and queer. Whereas dominant cultural attitudes often associate the region as devoid of people, opportunities, and racial, gender, and sexual diversity, Midwestern Asian American literature represents the heartland as abundant, with counter-narratives that encompass emotional attachments to place, social interactions different from those on the coasts, and Asian American characters who inhabit areas that are often seen as incompatible with, if not hostile to, cultural difference. The range of stories indicates more broadly that there is no unified Asian Midwest or Asian American experience. Rather, the literature of Asian Americans in the Midwest calls attention to the significance of space and place in conceptualizing racial formations as diverse and dynamic.


The article reviews the role and position of the first anthologies of American literature written by writers of Asian descent, due to which the outlines for what are now commonly known as Asian American literary studies were defined. A close analysis of these anthologies enables to realize why the existence of a unified collective Asian American identity, which was proclaimed in the second half of the 20th century, is being questioned at the milestone of the 20th and 21st centuries. It gives reason to state that the anthologies did not only emphasize the status quo of literature created by American writers of Asian descent, but also formed fracture lines along which at the end of the 20th century efforts were made to deprive Asian-American literature of the status of marginal, secondary and present it as a full-fledged component of American literary continuum. The first one can be described as “beyond the hyphen”. The second trajectory of the search for a way out of ethnic shelter at the end of the 20th century is aimed at “reconfiguring the canon”. It involves not only a demand of being fully involved into the American literary tradition, but also a search for its role in shaping, if not generating contemporary American literature. The anthologies that hold the primacy in the discovery of American writers of Asian descent, as a literary fact on one side, were both a continuation and rethinking of the tradition of Eastern (Chinese/Japanese) anthologies. On the other hand, despite the extremely compressed theoretical foundation for the essence of this wing of American literature, they show the extent and dynamism of its understanding and interpretation as an integral part of Western literary discourse.


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