Motivations for Establishing Cooperative Companies in the Performing Arts: A European Perspective

Author(s):  
Christine Sinapi ◽  
Edwin Juno-Delgado
TURBA ◽  
2022 ◽  
Vol 1 (1) ◽  
pp. 1-18

To Discover Meaningful Ways to Be Together by Bertie FerdmanIn the Era of Context by Ken TakiguchiThe Cultural Industries in Africa by Funmi AdewoleSome Observations on Terminology by Gordana VnukNational Dance Platforms: Building Danceland or Curating the Nation? by Gustavo FijalkowA Reflection on the Start of It All: Festival Curation as the Artist’s Liberation of Divulgation by Lieven BertelsWhen Curatorial Practice in the Performing Arts Meets Production by Ashley Ferro-MurrayToward the End of Innocence in Programming Live Arts by Brandon FarnsworthCuratorial Practice as a Claim to Public-ness by Gurur ErtemSome Aspects from a European Perspective by Sigrid Gareis and Nicole Haitzinger


2020 ◽  
pp. 84-107
Author(s):  
Vera Borges ◽  
Luísa Veloso

In the wake of the 2008 global financial and economic crisis, new forms of work organization emerged in Europe. Following this trend, Portugal has undergone a reconfiguration of its artistic organizations. In the performing arts, some organiza-tions seem to have crystalized and others are reinventing their artistic mission. They follow a plurality of organizational patterns and resilient profiles framed by cyclical, structural and occupational changes. Artistic organizations have had to adopt new models of work and seek new opportunities to try out alternatives in order to deal, namely, with the constraints of the labour market. The article anal-yses some of the restructuring processes taking place in three Portuguese artistic organizations, focusing on their contexts, individual trajectories and collective missions for adapting to contemporary challenges of work in the arts. We conclude that organizations are a key domain for understanding the changes taking place.


2020 ◽  
Vol 42 (11) ◽  
pp. 403-443
Author(s):  
Seungweon Chung ◽  
Sunyoung Kim

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