Gender Studies and Eighteenth-Century British Literature

2007 ◽  
Vol 4 (4) ◽  
pp. 935-966 ◽  
Author(s):  
Toni Bowers
2017 ◽  
Vol 1 ◽  
pp. 237
Author(s):  
Carmen María Fernández Rodríguez

ResumenSarah Harriet Burney (1771-1844) was a very popular woman writer at the turn of the nineteenth century rivalling her half-sister, the celebrated Frances Burney. This article analyses the male protagonists in Sarah Harriet’s oeuvre within the framework of eighteenth-century gender studies. The authoress gives a new turn to the tradition of the feminized hero who is often associated with the brotherly figure. Strongly resembling the heroine, Sarah Harriet’s maleprotagonists compete with the brother for feminine affection and become an instrument for echoing discomfort and articulating a radical criticism of patriarchy.Key words: Sarah Harriet Burney, British literature, gender studies, eighteenth century.Titulo en español: “The ties that bind us to each other”: masculinidad en la obra de Sarah Harriet BurneyResumen: Sarah Harriet Burney (1771-1844)fueuna escritora muypopular a finales del siglo diecinueve rivalizando con su hermana, la admirada FrancesBurney. Este artículo se centra en los protagonistas masculinos en la obra de Sarah Harriet dentro del marco de los estudios de género del siglo dieciocho. La autora reformula la tradición del héroe feminizado que generalmente se asocia a la figura fraternal. Los protagonistas masculinos de Sarah Harriet se parecen mucho a la heroína, compiten con el hermano por el afecto femenino y se convierte en un instrumento para expresar el descontento y articular una crítica radical del patriarcado.Palabras clave: Sarah HarrietBurney, literatura británica, estudios de género, siglo dieciocho.


Author(s):  
Sean D. Moore

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries bridges the study of these trades by demonstrating how Americans’ profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. It makes these claims on the basis of recent scholarship on how participation in London cultural life was very expensive in the eighteenth century, and evidence that enslavers were therefore some of the few early Americans who could afford importing British cultural products. In doing so, this work merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labor of the African diaspora. This book, accordingly, is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, this book claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery.


2016 ◽  
Vol 6 (2) ◽  
pp. 195-218
Author(s):  
Petru Golban

The rise of the novel is a major aspect of the eighteenth century British literature having a remarkable typology: picaresque, adventure, epistolary, sentimental, of manners, moral, comic, anti-novel. The comic (including satirical) attitude, social concern, moral didacticism, and other thematically textualized aspects – emerging from both picaresque tradition and neoclassical principles – and together with picaresque tradition and neoclassical principles – are responsible for the emergence of verisimilitude as the forming element responsible in turn for the rise of the literary system of the novel.


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