Unsafe Motherhood: Mayan Maternal Mortality and Subjectivity in Post-War Guatemala. Nicole Berry, New York: Berghahn Books, 2010. 251 pp.

2012 ◽  
Vol 17 (1) ◽  
pp. 140-142
Author(s):  
Sheila Cosminsky
Keyword(s):  
New York ◽  
Author(s):  
James King

This chapter details events in Roland Penrose's life from 1945 to 1947. Lee and Roland flew to New York City on 19 May 1946. Roland was elated to have the opportunity to rekindle his relationship with the Museum of Modern Art's (MOMA) director Alfred H. Barr, Jr., who likely warned him about the dangers he would face if he backed any kind of proposal to open a museum of modern art in London. Roland was taken with MOMA's collection: ‘Realizing that it was on a far greater scale that anything that could be dreamt of in London, consistently indifferent to all matters concerning the visual arts and still enfeebled by the war, this achievement nevertheless roused in me a longing to attempt some similar kind of folly at home’. Barr would also have expressed his gratitude to Roland for allowing his Picassos to be sent to MOMA during the war.


Novel Shocks ◽  
2018 ◽  
pp. 25-45
Author(s):  
Myka Tucker-Abramson

Shortly after Ralph Ellison’s protagonist arrives in New York, he encounters Peter Wheatstraw, a man wearing Charlie Chaplin pants, “pushing a cart piled high with rolls of blue paper,” and singing a blues song that reminds the protagonist of home. Often read as a carrier of blues and vernacular traditions within the novel, Wheatstraw is also a literal carrier of building plans, all of which point to the ascendancy of Robert Moses and his New York City Slum Clearance Committee under the aegis of the Federal Housing Act of 1949. This chapter reads Ellison in relation to this emergent regime of post-war planning to suggest we think about Invisible Man not as a novel about a Jim Crow system passing into history, but about the tensions between the emergent racial regime of racial liberalism and white flight out of which neoliberalism would emerge.


2014 ◽  
Vol 41 (2) ◽  
pp. 255-268 ◽  
Author(s):  
Sandra Pujals

The article discusses the participation of the Communist International (Comintern, 1919–1943) in the Caribbean region throughout most of the 1930s, mapping an international dimension for local and regional developments and counting the Soviet Union as an imperialist contender along with the customary colonial powers. The essay also enumerates examples of the sort of international, cultural networks fostered by the Comintern’s agenda and its political agents throughout the area, pointing out the connection between this sort of communication and the region’s leap into modernity that defined the decolonization process in the late 1940s. In these developments, New York as the center of a Caribbean diaspora becomes instrumental as the point of departure and confluence for the agents of international communism and Caribbean nationals during the decade of the 1930s. The evidence, in turn, implies a call to reformulate the historical evolution of the Caribbean diaspora in New York between the 1920s and the 1940s, taking into consideration the Comintern’s contribution to the transnational aspect of Caribbean radicalism, politics and culture in the post-war era. Finally, it also suggests a possible revision of the chronological framework for the Soviet Union’s presence in the Caribbean region long before the Cuban revolution of 1959, in view of declassified documentation from the Comintern archives.


Sign in / Sign up

Export Citation Format

Share Document