SABBATIAN HERESY: WRITINGS ON MYSTICISM, MESSIANISM, AND THE ORIGINS OF JEWISH MODERNITY. Edited by PawełMaciejko. The Brandeis Library of Modern Jewish Thought. Waltham, MA: Brandeis University Press, 2017. Pp. xxxiii + 206.

2020 ◽  
Vol 46 (4) ◽  
pp. 560-560
Author(s):  
Scott Ury
2021 ◽  
pp. 136-150
Author(s):  
Noam Pianko

This chapter explores the broad contours of concepts of diaspora in modern Jewish thought. Philosophers, intellectuals, religious thinkers, and non-Zionist nationalists who disagreed on the ideal political structure for Jewish collective life (including Moses Mendelssohn, Hermann Cohen, Franz Rosenzweig, Simon Dubnow, Hannah Arendt, Mordecai Kaplan, and Horace Kallen) shared a commitment to diaspora as a value, rather than just a fact, of modern Jewish life. Yet the emergence of the terminology of diaspora in tandem with the rise of nationalism and Zionism shaped the theoretical evolution of diaspora as the binary opposite to homeland and statist visions of Jewish identity. As a result, seminal Zionist theorists deeply critical of diaspora life, such as Theodor Herzl, Achad Ha’am, and David Ben-Gurion, also had a key role in framing the significance of diaspora. Modern theories of diaspora internalized and contested the privileged position of territory and sovereignty demanded by the rise of nationalism in the late nineteenth and early twentieth centuries.


Author(s):  
Andrea Dara Cooper

Modern Jewish thought has been largely a masculine discursive space in both its historical construction and its focus, which is reflected in the makeup of its accepted canon. Certain figures are generally included in edited collections and syllabi of modern Jewish thought and philosophy. The field’s medieval and early modern antecedents include 12th-century scholar Moses Maimonides and 17th-century thinker Baruch Spinoza. The 18th-century German philosopher Moses Mendelssohn is generally viewed as the “father” of the field. Beginning with the 19th- and 20th-century German philosopher Hermann Cohen, prominent 20th-century figures include the following: German philosophers Franz Rosenzweig and Martin Buber; French-Lithuanian thinker Emmanuel Levinas; American thinkers Mordecai Kaplan, Joseph B. Soloveitchik, and Abraham Joshua Heschel; and post-Holocaust philosophers and theologians Emil Fackenheim, Richard Rubenstein, and Eliezer Berkovits. Other notable figures include founding Reform rabbi Abraham Geiger, Orthodox rabbis Samson Raphael Hirsch and Abraham Isaac Kook, political philosopher Leo Strauss, Israeli Orthodox thinker Yeshayahu Leibowitz, and American rabbi and philosopher Eugene Borowitz. Sometimes the political philosopher Hannah Arendt and feminist theologians such as Judith Plaskow are included, but the entirety of the canon is often male-dominated. Form tends to mirror content in the formation and maintenance of such canons. In these cases, male-dominated discourse, drawn from a network of male thinkers who operate in relation to one another, favors approaches that foreground and privilege the masculine. While this textual corpus has remained largely immune to critiques informed by gender and feminist analysis, important and groundbreaking contributions to the fields of gender and Jewish philosophy have been made. It is not simply a matter of adding women-identified and nonbinary voices to the canon (although any heterogeneity is preferable to none), but of attending to critiques informed by gender and feminist analysis in order to uncover viewpoints and frameworks that have been overlooked. This article includes sources that attend to this aim in a variety of ways and with differing methodologies: texts by women-identified writers and texts about women and gender (in many cases overlapping), texts that critically analyze the construction and preservation of sex and gender hierarchies, texts that uncover philosophical omissions by male-identified thinkers, and texts that philosophically reflect upon experiences and lived realities that have been largely neglected, including embodiment, emotion, affect, vulnerability, maternity, and a feminist ethics of care, among others. These interventions consider, among other foundational questions: Who is included or excluded from the canonical framework? What can contemporary theories of gender teach us about the use of gendered terms in Judaism? In what ways can feminist criticism identify the masculinist assumptions of texts and the hierarchical construction of masculinity and femininity? How does the historical construction of the field reflect exclusive social and political norms? These questions and demands can extend to the ways that we canonically (re)construct the field of modern Jewish thought. This article addresses developments and interventions in critical gender analysis in relation to modern Jewish thought, tracking these contributions in secondary literature to increase their visibility, with an eye to expanding the scope and inclusiveness of the canon in the future.


Jewishness ◽  
2008 ◽  
pp. 105-130
Author(s):  
Jascha Nemtsov

This chapter details how Jewish folk music was presented as high art to concert audiences in early twentieth-century Germany and how that strategy was criticized. In January of 1901, the first issue of the journal Ost und West (East and West) appeared in Berlin. It served as the most important organ of cultural Zionism for the next two decades, and, as its title suggests, it attempted to bridge the cultural divide between east and west European Jews with the aim of creating an ethnic nationalist goal. The first issue contained, among other things, an article by the renowned Jewish philosopher Martin Buber entitled ‘Jewish Renaissance’ — a term that was to characterize this movement. Critical to this renaissance was the establishment of a common spirit binding a modern nation. Although based in Germany, the leaders of the movement envisioned that this spirit would be found in the ‘authentic folk’ of eastern Europe and the ethno-poetry of the folk song. The chapter then uncovers the often overlooked story of these leaders, particularly Leo Winz and Fritz Mordechai Kaufmann, and the significance of their renaissance movement for modern Jewish thought and culture.


Religions ◽  
2019 ◽  
Vol 10 (3) ◽  
pp. 168
Author(s):  
Daniel Weiss

This essay seeks to reconsider the relation of the universal-rational ethos of Spinoza’s thought to the Jewish tradition and culture in which he was raised and socially situated. In particular, I seek to engage with two previous portrayals—specifically, those of Isaac Deutscher and Yirmiyahu Yovel—that present Spinoza’s universalism as arising from his break from or transcendence of Judaism, where the latter is cast primarily (along with Christianity) as a historical-particular and therefore non-universal tradition. In seeking a potential source of Spinoza’s orientation, Yovel points Marrano culture, as a sub-group that was already alienated from both mainstream Judaism and mainstream Christianity. By contrast, I argue that there are key elements of pre-Spinoza Jewish-rabbinic conceptuality and material culture that already enact a profoundly universalist ethos, specifically in contrast to more parochialist or particularist ethical dynamics prevalent in the culture of Christendom at the time. We will see, furthermore, that the Marrano dynamics that Yovel fruitfully highlights in fact have much in common with dynamics that were already in place in non-Marrano Jewish tradition and culture. As such, we will see that Spinoza’s thought can be understood not only as manifesting a Marrano-like dynamic in the context of rational-philosophical discourse, but also as preserving a not dissimilar Jewish-rabbinic dynamic at the same time. This, in turn, will point to new possibilities for tracing this latter dynamic through the subsequent history of modern philosophy and modern Jewish thought.


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