A test of Gestalt grouping principles in frogs: Auditory illusion or sensory bias?

2009 ◽  
Vol 126 (4) ◽  
pp. 2291
Author(s):  
Mark A. Bee ◽  
Folkert Seeba
2017 ◽  
Author(s):  
Paola Bressan

The specific gray shades in a visual scene can be derived from relative luminance values only when an anchoring rule is followed. The double-anchoring theory I propose in this article, as a development of the anchoring theory of Gilchrist et al. (1999), assumes that any given region (a) belongs to one or more frameworks, created by Gestalt grouping principles, and (b) is independently anchored, within each framework, to both the highest luminance and the surround luminance. The region's final lightness is a weighted average of the values computed, relative to both anchors, in all frameworks. The new model accounts not only for all lightness illusions that are qualitatively explained by the anchoring theory but also for a number of additional effects, and it does so quantitatively, with the support of mathematical simulations.


2012 ◽  
Vol 12 (9) ◽  
pp. 1313-1313
Author(s):  
N. R. Twarog ◽  
R. Rosenholtz

2010 ◽  
Vol 79 (6) ◽  
pp. 1317-1328 ◽  
Author(s):  
Folkert Seeba ◽  
Joshua J. Schwartz ◽  
Mark A. Bee

Author(s):  
Nicholas J. Wade

It is relatively easy to hide pictorial images, but this is of little value if they remain hidden. Presenting hidden images for visual purposes is a modern preoccupation, and some of the perceptual processes involved in them are described in this chapter. Pictorial images can be concealed in terms of detection or recognition. In both cases there is interplay between the global features of the concealed image and the local elements that carry it. Gestalt grouping principles can hinder as well as help recognition. Examples of images (mostly faces) hidden in geometrical designs and text as well as orientation are shown. Rather than being pictorial puzzles alone, hidden images can reveal aspects of visual processing. This chapter explores these concepts and related ideas such as perceptual portraits and pictorial puzzles.


2014 ◽  
Vol 26 (8) ◽  
pp. 1819-1828 ◽  
Author(s):  
Roy Luria ◽  
Edward K. Vogel

The objects around us constantly move and interact, and the perceptual system needs to monitor on-line these interactions and to update the object's status accordingly. Gestalt grouping principles, such as proximity and common fate, play a fundamental role in how we perceive and group these objects. Here, we investigated situations in which the initial object representation as a separate item was updated by a subsequent Gestalt grouping cue (i.e., proximity or common fate). We used a version of the color change detection paradigm, in which the objects started to move separately, then met and stayed stationary, or moved separately, met, and then continued to move together. We monitored the object representations on-line using the contralateral delay activity (CDA; an ERP component indicative of the number of maintained objects), during their movement, and after the objects disappeared and became working memory representations. The results demonstrated that the objects' representations (as indicated by the CDA amplitude) persisted as being separate, even after a Gestalt proximity cue (when the objects “met” and remained stationary on the same position). Only a strong common fate Gestalt cue (when the objects not just met but also moved together) was able to override the objects' initial separate status, creating an integrated representation. These results challenge the view that Gestalt principles cause reflexive grouping. Instead, the object initial representation plays an important role that can override even powerful grouping cues.


Perception ◽  
1978 ◽  
Vol 7 (1) ◽  
pp. 21-46 ◽  
Author(s):  
Nicholas J Wade

An attempt is made to list the visual phenomena exploited in op art. These include moiré fringes, afterimages, Hermann grid effects, Gestalt grouping principles, blurring and movement due to astigmatic fluctuations in accommodation, scintillation and streaming possibly due to eye movements, and visual persistence. The historical origins of these phenomena are also noted.


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