Influence of seabed on very low frequency sound recorded during passage of merchant ships on the New England shelf

2021 ◽  
Vol 149 (5) ◽  
pp. 3294-3300
Author(s):  
D. P. Knobles ◽  
Preston S. Wilson ◽  
Tracianne B. Neilsen ◽  
William S. Hodgkiss
Keyword(s):  
New England ◽  
Low Frequency ◽  
Very Low Frequency ◽  
Frequency Sound

Shipboard low frequency sound speed measurements in the New England Mud Patch

2016 ◽  
Vol 139 (4) ◽  
pp. 2111-2111
Author(s):  
Gabriel R. Venegas ◽  
Preston S. Wilson ◽  
Kevin M. Lee ◽  
Megan S. Ballard ◽  
Allen H. Reed ◽  
...  
Keyword(s):  
New England ◽  
Sound Speed ◽  
Low Frequency ◽  
Frequency Sound

Shipboard low frequency sound speed measurements in the New England Mud Patch (NEMP)

2016 ◽  
Author(s):  
Gabriel R. Venegas ◽  
Preston S. Wilson ◽  
Kevin M. Lee ◽  
Megan S. Ballard ◽  
Allen H. Reed ◽  
...  
Keyword(s):  
New England ◽  
Sound Speed ◽  
Low Frequency ◽  
Frequency Sound

Abnormal interference of very low frequency sound field in shallow water

2021 ◽  
Vol 150 (4) ◽  
pp. A317-A317
Author(s):  
Shengchun Piao ◽  
Yang Dong ◽  
Zhiqiang Wu
Keyword(s):  
Shallow Water ◽  
Low Frequency ◽  
Sound Field ◽  
Very Low Frequency ◽  
Frequency Sound

Very low‐frequency sound transmission in the Arctic seabed

1978 ◽  
Vol 64 (S1) ◽  
pp. S46-S46 ◽  
Author(s):  
A. B. Baggeroer ◽  
S. Koch ◽  
G. W. Shepard ◽  
I. Dyer
Keyword(s):  
Low Frequency ◽  
Sound Transmission ◽  
The Arctic ◽  
Very Low Frequency ◽  
Frequency Sound

Infrasonic Music

2009 ◽  
Vol 19 ◽  
pp. 51-56 ◽  
Author(s):  
Cat Hope
Keyword(s):  
Low Frequency ◽  
Low Frequencies ◽  
Very Low Frequency ◽  
Frequency Sound ◽  
The Way

Low-frequency sound on the cusp of the audible offers the possibility of redefining the way we think about listening to music. As the perception of pitch is lost in very low-frequency sound emissions, an opportunity arises for a different kind of music and a different way of listening. Low frequencies can be engaged to activate responses other than the aural or be used as a kind of “silent activator,” enabling or affecting other sounds. This article explores the possibilities for what may be called an “infrasonic music.”

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