Insects Recaptured: The Treatise on Invertebrate Paleontology . Part R, Arthropoda 4. Vols. 3 and 4, Superclass Hexapoda. F. M. Carpenter. Geological Society of America, Boulder, CO (distributor), and University of Kansas, Lawrence, 1992. xxiv, 655 pp., illus. $87.50.

Science ◽  
1993 ◽  
Vol 259 (5098) ◽  
pp. 1208-1208
Author(s):  
Howard E. Evans
2001 ◽  
Vol 7 ◽  
pp. 5-10
Author(s):  
J. Thomas Dutro

The Paleontological Society Short Course this year features the history of brachiopod research, especially since the beginning of the revision of Part H, Treatise on Invertebrate Paleontology, in the early 1990s. The first version of Part H was published in 1965 and the only previous Paleontological Society Short Course to deal with brachiopods was held in 1981 at the Cincinnati meeting of the Geological Society of America. At that time, the day was split between the bryozoans and brachiopods, with a nod to the phoronids, under the rubric of lophophorates.


1894 ◽  
Vol 37 (941supp) ◽  
pp. 15043-15044
Author(s):  
E. O. Hovey
Keyword(s):  

2017 ◽  
Vol 7 (3) ◽  
pp. 195-209
Author(s):  
Rachel Fountain Eames

Charles Kingsley's lifelong interest in geology is well documented – from the gentleman geologists of his early novels and his membership of the Geological Society, to his introduction to earth science for children, Madam How and Lady Why (1870) – but the influence of geological ideas in The Water-Babies (1863) has been largely overlooked. Instead, academics have broadly categorised the novel as an ‘evolutionary parable’, emphasising Darwinian influences to the exclusion of contemporary geology. I propose that there is a distinct geological subtext underpinning The Water-Babies. Acknowledging both its scientific and religious contexts, I argue that Kingsley integrates elements of his geological studies into clear stratigraphic forms in the novel; that these ideas recur in the novel's surface geography and are informed by his reading of contemporary geologists; and that The Water-Babies is part of a longstanding generic tradition of Christian geological katabasis that can be traced back to Dante's Divine Comedy (1555).


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