Aesthetics of Turntable Art

Leonardo ◽  
2021 ◽  
pp. 79-83
Author(s):  
Jimmy Eadie

Abstract This article explores the transitional and liminal nature of the author's work and examines the diverse theoretical foundations that inform his creative practice. The particular work discussed here, Wow&Flutter, explores the intermedial relationships between “quotation,” “remediation” and “plunderphonics” within turntable art using acetate vinyl. This work was presented in the Irish Museum of Modern Art (IMMA) and the National Concert Hall, Ireland (NCH), between 2014 and 2018.

1962 ◽  
Vol 16 (2) ◽  
pp. 35-37
Author(s):  
Eileen Bowser

Author(s):  
Anselm Franke ◽  
Annett Busch ◽  
Katarzyna Bojarska

A conversation between Annett Busch, Anselm Franke, and Katarzyna Bojarska about the exhibition "After Year Zero. Universal Imaginaries - Geographies of Collaboration", shown at the Museum of Modern Art in Warsaw between June and August 2015.


1956 ◽  
Vol 9 (2) ◽  
pp. 73-83 ◽  
Author(s):  
Affonso Eduardo Reidy

2013 ◽  
Vol 56 ◽  
pp. 277-298 ◽  
Author(s):  
Alan Powers

Exhibition 58: Modern Architecture in England, held between 10 February and 7 March 1937 at the Museum of Modern Art in New York (MoMA), was a notable event. Amidst claims that ‘England leads the world in modern architectural activity’, the exhibition ‘amazed New Yorkers’ and equally surprised English commentators. However, it has not subsequently received any extended investigation. The present purpose is to look at it as a multiple sequence of events, involving other exhibitions, associated publications and the trajectories of individuals and institutions, through which tensions came to the surface about the definition and direction of Modernism in England and elsewhere. Such an analysis throws new light on issues such as the motives for staging the exhibition, the personnel involved and associated questions relating to the role of émigré architects in Britain and the USA, some of which have been misinterpreted in recent commentaries.Hitchcock's unequivocal claim for the importance of English Modernism at this point still arouses disbelief, and raises a question whether it can be accepted at face value or requires explaining in terms of some other hidden intention.


2000 ◽  
Vol 25 (2) ◽  
pp. 40-44
Author(s):  
Simon Ford

In 1966 John Latham and some friends began chewing Clement Greenberg’s book Art and culture: collected essays. The resulting art work, entitled Art and Culture (1966-1969), is now recognised as a seminal conceptual art work and is part of the collection of the Museum of Modern Art, New York. Latham, however, had borrowed the book from St. Martin’s School of Art library and when he was unable to return it in a suitable condition his teaching contract was not renewed. This essay looks at the history of the work, the ideas behind its creation, and the issues it raises for the culture of the book today.


1978 ◽  
Vol 9 (3) ◽  
pp. 382
Author(s):  
Brian W. Dippie ◽  
Kynaston McShine ◽  
Weston J. Naef ◽  
James N. Wood

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