Response of Male Song and Swamp Sparrows To Neighbour, Stranger, and Self Songs

Behaviour ◽  
1981 ◽  
Vol 77 (3) ◽  
pp. 152-163 ◽  
Author(s):  
Patrick D. McArthur ◽  
Susan S. Peters ◽  
William A. Searcy ◽  
Peter Marler

AbstractWe examined the responsiveness of territorial male swamp sparrows (Melospiza georgiana) and song sparrows (Melospiza melodia) to neighbor, stranger, and self songs. In two speaker tests (with two song bouts played simultaneously from separate speakers), male swamp sparrows failed to discriminate between neighbor and stranger songs and between self and stranger songs. In single speaker presentations, male swamp sparrows responded more aggressively to stranger song than to neighbor song and gave intermediate responses to self song. Male song sparrows showed no significant discrimination between neighbor, stranger, and self songs. We hypothesized that male birds may learn what other conspecific songs should sound like by listening to their own songs. In its most stringent form this hypothesis might predict maximal responsiveness to playback of a male's own song. This prediction was not verified for these two sparrow species. There was less of a difference in responsiveness toward neighbor and stranger songs in song sparrows than in swamp sparrows; this result is compatible with the hypothesis that larger repertoires make neighbor recognition more difficult.

1972 ◽  
Vol 50 (3) ◽  
pp. 301-309 ◽  
Author(s):  
Margaret A. Harris ◽  
Robert E. Lemon

Male song sparrows from two areas in Quebec had repertoires of several song patterns, each one of which was generally made up of two repeated units, or syllables, plus unrepeated note complexes. Variability between individuals was large, but there was also some similarity: while most syllable types were sung by one individual only, some were shared with others in the population. The relative occurrence of the different syllable types was similar in two sites at Pare Cote Ste. Catherine but between Pare Cote Ste. Catherine and Mont St. Hilaire (separated by 23 mi) there was almost complete lack of similarity, which was taken as evidence that dialects existed. Birds from the less densely populated area at Mont St. Hilaire had slightly smaller repertoires of syllables and song patterns.


2004 ◽  
Vol 68 (5) ◽  
pp. 1055-1063 ◽  
Author(s):  
Jane M. Reid ◽  
Peter Arcese ◽  
Alice L.E.V. Cassidy ◽  
Sara M. Hiebert ◽  
James N.M. Smith ◽  
...  

Ibis ◽  
2008 ◽  
Vol 118 (3) ◽  
pp. 421-424 ◽  
Author(s):  
Margaret A. Harris ◽  
Robert E. Lemon

Behaviour ◽  
2008 ◽  
Vol 145 (3) ◽  
pp. 347-363 ◽  
Author(s):  
William Searcy ◽  
Rindy Anderson ◽  
Stephen Nowicki

AbstractSong-matching has been hypothesized to be a signal of aggressive intentions whereby matching an opponent signals that the singer is likely to attack. Theory predicts that an aggressive signal should impose a cost that enforces the signal's reliability. A receiver-dependent cost imposed by the matched bird's aggressive retaliation has been proposed for song-matching. We tested for such a cost for partial song-matching in an eastern population of song sparrows where males lack the shared song types necessary for song type matching, but can perform partial song-matching using shared song segments. We tested aggressive response, as measured by average distance to a playback speaker, to partial-matching songs and non-matching songs. We predicted a stronger aggressive response to partial-matching songs, as has been shown for whole song-matching in western song sparrow populations. The birds in our study responded no differently to partial-matching and non-matching songs. Neither the distance to the playback speaker nor singing responses differed between playback treatments. Our results do not support a receiver-dependent cost to partial song-matching, as would be expected if partial-matching is a direct threat. Instead, we suggest that partial song-matching functions as a signal of attention.


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