Form and Function Predict Acoustic Transmission Properties of the Songs of Male and Female Canyon Wrens

To function effectively, animal signals must transmit through the environment to receivers, and signal transmission properties depend on signal form. Here we investigated how the transmission of multiple parts of a well-studied signal, bird song, varies between males and females of one species. We hypothesized that male and female songs would have different transmission properties, reflecting known differences in song form and function. We further hypothesized that two parts of male song used differentially in broadcast singing and aggressive contests would transmit differently. Analyses included male and female songs from 20 pairs of canyon wrens (Catherpes mexicanus) played and re-recorded in species-typical habitat. We found that male song cascades used in broadcast singing propagated farther than female songs, with higher signal-to-noise ratios at distance. In contrast, we demonstrated relatively restricted propagation of the two vocalization types typically used in short-distance aggressive signaling, female songs and male “cheet” notes. Of the three tested signals, male “cheet” notes had the shortest modeled propagation distances. Male and female signals blurred similarly, with variable patterns of excess attenuation. Both male song parts showed more consistent transmission across the duration of the signal than did female songs. Song transmission, thus, varied by sex and reflected signal form and use context. Results support the idea that males and females of the same species can show distinctly different signal evolution trajectories. Sexual and social selection pressures can shape sex-specific signal transmission, even when males and females are communicating in shared physical environments.

Flexible circuit mechanisms for context-dependent song sequencing

Many sequenced behaviors, including locomotion, reaching, and vocalization, are patterned differently in different contexts, enabling animals to adjust to their current environments. However, how contextual information shapes neural activity to flexibly alter the patterning of actions is not yet understood. Prior work indicates such flexibility could be achieved via parallel motor circuits, with differing sensitivities to sensory context [1, 2, 3]; instead we demonstrate here how a single neural pathway operates in two different regimes dependent on recent sensory history. We leverage the Drosophila song production system [4] to investigate the neural mechanisms that support male song sequence generation in two contexts: near versus far from the female. While previous studies identified several song production neurons [5, 6, 7, 8], how these neurons are organized to mediate song patterning was unknown. We find that male flies sing 'simple' trains of only one syllable or mode far from the female but complex song sequences consisting of alternations between modes when near to her. We characterize the male song circuit from the brain to the ventral nerve cord (VNC), and find that the VNC song pre-motor circuit is shaped by two key computations: mutual inhibition and rebound excitability [9] between nodes driving the two modes of song. Weak sensory input to a direct brain-to-VNC excitatory pathway (via pC2 brain and pIP10 descending neurons) drives simple song far from the female. Strong sensory input to the same pathway enables complex song production via simultaneous recruitment of P1a neuron-mediated disinhibition of the VNC song pre-motor circuit. Thus, proximity to the female effectively unlocks motor circuit dynamics in the correct sensory context. We construct a compact circuit model to demonstrate that these few computations are sufficient to replicate natural context-dependent song dynamics. These results have broad implications for neural population-level models of context-dependent behavior [10] and highlight that canonical circuit motifs [11, 12, 13] can be combined in novel ways to enable circuit flexibility required for dynamic communication.

Sex role similarity and sexual selection predict male and female song elaboration and dimorphism in fairy-wrens

Historically, bird song complexity was thought to evolve primarily through sexual selection on males, yet in many species both sexes sing. Previous research suggests competition for mates and resources during short, synchronous breeding seasons leads to more elaborate male songs at high latitudes. In contrast, we expect male-female song dimorphism and elaboration to be more similar at lower latitudes because longer breeding seasons and year-round territoriality yield similar social selection pressures in both sexes. However, studies seldom take both selective pressures and sexes into account. We examined song elaboration and sexual dimorphism in 15 populations of nine fairy-wren species (Maluridae), a Southern Hemisphere clade with female song. We compared song elaboration and sexual song dimorphism to latitude and life history variables tied to sexual and social selection pressures and sex roles. Our results suggest that song elaboration evolved in part due to sexual competition in males: male song variability was more positively correlated with temperate breeding and greater breeding synchrony than female song. We also found strong evidence that sex-role similarity contributed to male-female song similarity: male and female songs were shorter and more similar when parental care was more equal and when male survival was high. Contrary to Northern Hemisphere latitudinal patterns, songs were less dimorphic at higher, temperate latitudes. These results suggest that selection on song can be sex-specific, with male song elaboration favored in contexts coincident with sexual selection. However, selection pressures associated with sex-role similarity also appear to constrain sex specific song evolution and song dimorphism.

Frequent female song in blue tits: behavioural context suggests a role in intrasexual competition

The blue tit (Cyanistes caeruleus) is an important avian model in evolutionary ecology (> 20,000 published scientific studies). Song, like in other songbird species, is generally described as a male trait and plays an important role in mate attraction and territory defence. Over the decades, there have been recurring reports of anecdotal female song but these have not led to any quantitative study of female song in blue tits. Our systematic sampling over three years revealed prolific female singing in a northern population of colour ringed blue tits. Daytime singing of females occurred throughout the breeding season during agonistic interactions, solo songs and alarm situations, and these contexts are similar to male song. Notably, female song was absent during the dawn chorus; the period around sunrise when males sing intensively just before mating. Female and male song overlapped substantially in acoustic structure (i.e. same song types, peak frequency or trill rates) but there were also significant differences in that females had smaller repertoires, shorter trills and lower vocal consistency. Differential selections pressures related with contextual (functional) differences in the role of male and female song could explain the observed differences in acoustic structure. The new finding of prolific female singing in such a well-studied species suggests we ought to revise our understanding of male and female vocal communication in this (and probably other) species. Identifying the selection pressures associated to the convergence versus divergence of male and female song may provide important insight in understanding birdsong evolution.

Female song in the Cyprus Wheatear Oenanthe cypriaca

Female song is widespread across bird species yet rarely reported. Here, we report the first observations and description of female song in the Cyprus Wheatear Oenanthe cypriaca and compare it to male song through the breeding season. Twenty-five percent of colour-ringed females were observed singing at least once, predominantly in April, compared to 71% of males that continued singing through the breeding period. We suggest that female song may have multiple functions in this species, but it may be especially important in territorial defence and mate acquisition.

Activity patterns of the soprano pipistrelle Pipistrellus pygmaeus throughout the year in southern Norway

Background Most temperate bats are regular hibernators in the winter. Knowledge about the length of their active season and how they adjust their nightly activity throughout the season, is critical to conservation. The characteristics of these are likely to vary with climate as well as latitude. This study investigated the flight activity of the soprano pipistrelle Pipistrellus pygmaeus in Frafjord, a small valley in the south-western corner of Norway (58° 50′N 6° 18′E) with an oceanic climate. Results Activity was recorded with an ultrasound recorder throughout April 2018 to June 2019 at one site, with supplemental recordings in March to June 2020, i.e., covering all months of the year. Recordings at other nearby sites were made in the summers (June–August) of 2016, 2017, 2019 and 2020, as well as some of the last days in December 2019 to the first days of January 2020. Overall, soprano pipistrelles were recorded flying in all months of the year, but very few in December–March. Regular activity was recorded from late April or early May until late October, and some recordings were also made in November. The highest numbers of recordings were made in August and September. Social calls, i.e. male song flights, were recorded from April to November, with the vast majority in August and September. Nearly all recordings were made between sunset and sunrise. Conclusions The soprano pipistrelle in this region showed regular activity through 6–7 months of the year. It adjusted its activity to the changing night length throughout the year, closely following sunset and sunrise. It was rarely recorded flying before sunset and almost never after sunrise. Most activity was recorded in the middle of the night, and social calls also followed this trend closely. Harems in late summer and autumn were confirmed in a bat box, which was also used for winter hibernation.