Res, veluti per Machinas, Conficiatur: Natural History and the 'Mechanical' Reform of Natural Philosophy

2012 ◽  
Vol 17 (1-2) ◽  
pp. 87-111 ◽  
Author(s):  
Ian G. Stewart

AbstractThis paper revisits Bacon's persistent 'mechanical' imagery by which he described the 'aid' through which the human mind would be rendered adequate to framing axioms about nature's processes and properties that underlie all natural phenomena. It argues that the role Bacon ascribed to his own insights into the properties and motions of matter is crucial for grasping such instrumental imagery, because his own writings—both methodological and natural historical—need to be read as themselves comprising, at least in incipient form, the very instruments of which they speak. From that reflexive standpoint, this paper in particular focuses on the 'aid' to the senses that his natural histories were to have offered under the interpretative guidance offered by the Novum organum and other works. The 'hypothetical' status to which Bacon is often thought to have accorded his own natural philosophical insights does not adequately take into account the transformative power Bacon thought these insights should have through his own writings. The fact that Bacon was keenly sensitive to the psychological effects of textual authority in his intellectual milieu prompts new reflection concerning how he intended his own texts to be read, and how we should read them.

2002 ◽  
Vol 7 (1) ◽  
pp. 65-92 ◽  
Author(s):  
Peter R. Anstey

AbstractThis paper argues that the construction of natural histories, as advocated by Francis Bacon, played a central role in John Locke's conception of method in natural philosophy. It presents new evidence in support of John Yolton's claim that "the emphasis upon compiling natural histories of bodies ... was the chief aspect of the Royal Society's programme that attracted Locke, and from which we need to understand his science of nature". Locke's exposure to the natural philosophy of Robert Boyle, the medical philosophy of Thomas Sydenham, his interest in travel literature and his conception of the division of the sciences are examined. From this survey, a cumulative case is presented which establishes, independently of an in-depth exegesis of his Essay Concerning Human Understanding, the central role for Locke of the construction of natural histories in natural philosophy.


Author(s):  
Miguel de Asúa

This chapter considers Jesuit natural history in the period of the Old Society (from Renaissance to Enlightenment). Five topics have been selected for discussion: a general, formal characterization of Jesuit writing on nature, with emphasis on works produced in the missions; the symbolic and material exchanges presupposed by the practice of missionary natural history, including medical botany (exchange of knowledge between Jesuits and native experts, interchange of information between Jesuits and learned naturalists in Europe and among them, circulation of biological species); the approach to marvels in the animal world by the kind of natural philosophy embedded in the works of Athnasius Kircher, Caspar Schott, and Juan Eusebio Nieremberg; the issues raised by the natural histories of the New World, in particular in Iberian America; and the response of the Jesuits to the ascent of Enlightened natural history as represented by Carl Linnaeus and George Louis Leclerc, Compte de Buffon.


2006 ◽  
Vol 19 (1) ◽  
pp. 77-104 ◽  
Author(s):  
Robin Bunce

AbstractThomas Hobbes' natural philosophy is often characterised as rationalistic in opposition to the emerging inductivist method employed by Francis Bacon and fellows of the Gresham College - later the Royal Society. Where as the inductivists researched and published a multitude of natural histories, Hobbes' mature publications contain little natural historical information. Nonetheless, Hobbes read numerous natural histories and incorporated them into his works and often used details from these histories to support important theoretical moves. He also wrote a number of natural histories, some of which remain either unpublished or untranslated. Hobbes' own mature statements about his early interest in natural histories are also misleading. This article attempts to review Hobbes' early writings on natural histories and argues that his works of the 1630s and 1640s owe a significant debt to the natural histories of Francis Bacon, Hobbes' one-time patron.


1990 ◽  
Vol 110 (6) ◽  
pp. 719
Author(s):  
Roy Meckler ◽  
Lynn Meckler

2020 ◽  
Vol 9 (2) ◽  
pp. 27-51
Author(s):  
Doina-Cristina Rusu ◽  

This paper argues that the methodology Francis Bacon used in his natural histories abides by the theoretical commitments presented in his methodological writings. On the one hand, Bacon advocated a middle way between idle speculation and mere gathering of facts. On the other hand, he took a strong stance against the theorisation based on very few facts. Using two of his sources whom Bacon takes to be the reflection of these two extremes—Giambattista della Porta as an instance of idle speculations, and Hugh Platt as an instance of gathering facts without extracting knowledge—I show how Bacon chose the middle way, which consists of gathering facts and gradually extracting theory out of them. In addition, it will become clear how Bacon used the expertise of contemporary practitioners to criticise fantastical theories and purge natural history of misconceived notions and false speculations.


Author(s):  
Audri Phillips

This chapter examines the relationships between technology, the human mind, and creativity. The chapter cannot possibly cover the whole spectrum of the aforementioned; nonetheless, it covers highlights that especially apply to new immersive technologies. The nature of creativity, creativity studies, the tools, languages, and technology used to promote creativity are discussed. The part that the mind and the senses—particularly vision—play in immersive media technology, as well as robotics, artificial intelligence (AI), computer vision, and motion capture are also discussed. The immersive transmedia project Robot Prayers is offered as a case study of the application of creativity and technology working hand in hand.


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