Brazil’s Role in Latin America’s Regionalism

2021 ◽  
Vol 27 (1) ◽  
pp. 25-48
Author(s):  
Javier A. Vadell ◽  
Clarisa Giaccaglia
Keyword(s):  
South America ◽  
Political Development ◽  
First Century ◽  
South American ◽  
Regional Policies ◽  
The Future ◽  
Twenty First Century

Abstract At the beginning of the twenty-first century, Brazil became a crucial player as the principal advocate of South American integration. To Mercado Común del Sur (Mercosur) was added the Union of South American Nations (UNASUR), reaffirming regional policies around the idea of “South America.” Today, however, the withdrawal of Brazilian leadership along with the reversals and loss of focus in UNASUR and Mercosur have damaged the credibility of the region’s initiatives, as well as finding South America’s common voice. Despite this, this article argues that Brazil has not entirely disengaged from the region or abandoned the principle of regionalism. Recognition of Latin America’s distinctive history the authors to construct a model that incorporates complexity and disorder in which Brazil’s institutional political development will have significant repercussions for the future of the region.

Of Signatures and Status: Andrés Sánchez Gallque and Contemporary Painters in Early Colonial Quito

2014 ◽  
Vol 70 (4) ◽  
pp. 603-644
Author(s):  
Susan V. Webster
Keyword(s):  
South America ◽  
First Century ◽  
Modern Literature ◽  
Specific Reference ◽  
South American ◽  
Early Colonial ◽  
Twenty First Century

The 1599 portrait Don Francisco de Arobe and His Sons, Pedro and Domingo by Andean artist Andres Sanchez Gallque (Figure 1) is one of the most frequently cited and reproduced paintings in the modern literature on colonial South America. The painting has been extensively praised, parsed, and interpreted by twentieth- and twenty-first-century authors, and heralded as the first signed South American portrait. “Remarkable” is the adjective most frequently employed to describe this work: modern authors express surprise and delight not only with the persuasive illusionistic power of the painting, the mesmerizing appearance of its subjects, and the artist's impressive mastery of the genre, but with the fact that the artist chose to sign and date his work, including a specific reference to his Andean identity.

Of Signatures and Status: Andrés Sánchez Gallque and Contemporary Painters in Early Colonial Quito

2014 ◽  
Vol 70 (04) ◽  
pp. 603-644
Author(s):  
Susan V. Webster
Keyword(s):  
South America ◽  
First Century ◽  
Modern Literature ◽  
Specific Reference ◽  
South American ◽  
Early Colonial ◽  
Twenty First Century

The 1599 portrait Don Francisco de Arobe and His Sons, Pedro and Domingo by Andean artist Andres Sanchez Gallque (Figure 1) is one of the most frequently cited and reproduced paintings in the modern literature on colonial South America. The painting has been extensively praised, parsed, and interpreted by twentieth- and twenty-first-century authors, and heralded as the first signed South American portrait. “Remarkable” is the adjective most frequently employed to describe this work: modern authors express surprise and delight not only with the persuasive illusionistic power of the painting, the mesmerizing appearance of its subjects, and the artist's impressive mastery of the genre, but with the fact that the artist chose to sign and date his work, including a specific reference to his Andean identity.

Pietro Basso,Modern Times, Ancient Hours: Working Livesin the Twenty-first Century. London: Verso, 2003. pp. 275. $27.00 cloth.

2005 ◽  
Vol 68 ◽  
pp. 134-136
Author(s):  
Gerd-Rainer Horn
Keyword(s):  
Everyday Life ◽  
Working Time ◽  
First Century ◽  
Recent Past ◽  
Social Scientists ◽  
Modern Times ◽  
The Future ◽  
Twenty First Century

For some time now, sociologists, economists and assorted futurologists have flooded the pages of learned journals and the shelves of libraries with analyses of the continuing decline of industrial and other forms of labor. In proportion to the decline of working time, those social scientists proclaim, the forward march of leisure has become an irresistible trend of the most recent past, the present and, most definitely, the future. Those of us living on planet earth have on occasion wondered about the veracity of such claims which, quite often, appear to stand in flat contradiction to our experiences in everyday life. The work of the Italian sociologist Pietro Basso is thus long overdue and proves to be a welcome refutation of this genre of, to paraphrase Basso, obfuscating hallucinations.

Sign in / Sign up

Export Citation Format

Share Document