David Paul Kuhn. Revisiting the Hard Hats 50 years on: The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-class Revolution

2021 ◽  
pp. 1-12
Author(s):  
Anthony Gronowicz
1996 ◽  
Vol 30 (4) ◽  
pp. 1102
Author(s):  
Suzanne M. Sinke ◽  
Dorothee Schneider

1989 ◽  
Vol 15 (1) ◽  
pp. 125
Author(s):  
Eileen Boris ◽  
Christine Stansell ◽  
Elizabeth Ewen

Author(s):  
April F. Masten

This chapter examines the transnational origins of the challenge dance, a distinctly American tradition of brag dancing, and the ways in which Irish and African dance forms converged and collided in the taverns of New York City in the early nineteenth century. Part theater, part sport, challenge dances emerged in the antebellum era alongside boxing. Dance matches were the product of the intersecting diasporas and cultural exchange of Irish and African emigrants moving through the Atlantic world. The chapter first considers the compatibilities in African and Irish dance traditions before discussing the genealogy of challenge dancing. It then looks at challenge dance competitions held on streets and in taverns as part of white and blackface shows. It also describes a cultural space and moment in which working-class blacks and whites saw enough likeness in their dance traditions to frame a space of public, popular competition.


Author(s):  
Andrew Alan Smith

Ben “The Thing” Grimm of the Fantastic Four is portrayed as a working-class “guy,” despite the vast amount of money at his disposal as a principal in Fantastic Four, Inc. However, his origins go back further than his first appearance in 1961, to the childhood of his co-creator and original artist, Jack Kirby. Kirby, a working-class Jew from the slums of Lower East Side New York City in the early part of the twentieth century, patterned Grimm after himself. Even after both Kirby and cocreator Stan Lee left Fantastic Four, successive writers and artists would include new pieces of background information about the character cementing the direct correlation between the fictional Thing and his real-world creator and alter ego, Jack Kirby.


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