scholarly journals Pentecostal Praise and Worship as a Mode of Theology

2019 ◽  
pp. 156-179
Keyword(s):  
Praise And Worship

Reading Psalm 100 from an African (Yoruba) Perspective

2019 ◽  
Vol 27 (2) ◽  
Author(s):  
David Tuesday Adamo
Keyword(s):  
African Religion ◽  
Ancient Israel ◽  
African Churches ◽  
Praise And Worship

Psalm 100 is one of the most popular psalms of praise and thanksgiving. Almost every scholar accepts this psalm as a hymn commanding the congregation to praise Yahweh in thanksgiving. This song is so vital because to praise and worship Yahweh is to live and to live is to praise and worship him for his majesty and all the things he has done for ancient Israel. Psalm 100 is also called the imperative psalm because of the seven imperative verbs that seem to dictate the structure. The content of this psalm not only resembles ancient Israelite worship but also typical African worship. This article aims to apply an Africentric interpretation to Psalm 100 in order to demonstrate how the praise and worship in African churches reflect the description of Psalm 100 (without saying that they are the same). This article aims to demonstrate how African religion and culture can be used to understand Psalm 100 without condemning Eurocentric approaches. 

Baptist Praise and Worship

1993 ◽  
Vol 35 (2) ◽  
pp. 95-100
Author(s):  
Neville Clark
Keyword(s):  
Praise And Worship

Praise and Worship

1965 ◽  
Vol 62 (3) ◽  
pp. 293-306
Author(s):  
H. T. McElrath
Keyword(s):  
Praise And Worship

scholarly journals Prinsip-Prinsip Hidup yang Berkenan di Hadapan Tuhan dalam Pujian Penyembahan Menurut 2 Tawarikh 5-7 dan Aplikasinya bagi Orang Percaya Masa Kini

JURNAL KADESI ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 104-125
Author(s):  
Paulus Kunto Baskoro ◽  
Ester Yunita Dewi
Keyword(s):  
Old Testament ◽  
Good Life ◽  
Absolute Requirement ◽  
God's Word ◽  
Praise And Worship ◽  
Almost All ◽  
The Temple ◽  
Descriptive Method

Praise and worship are  the foundation of every believer’s live. In almost all aspects of the believer’s life, worship is contorted with praise. Praise of worship became the focus of ehaven and especially in Old Testament times, praise worship became the center of worship tog God. However, it is still not too focused on the life of worship and praise. Whereas in worship praise, Jesus was present and touched His people. Sometimes what happens praise worship also becomes a routine in achurch. Even the lives of believers are not in accordance with God’s Word, so God is not present in worship praise. Because it cannot be separated between the life of believer and the praise of worship. A life that is in holiness is and absolute requirement for praise and worship to be pleasing before God. The context of this discussion is focused on the praised and worship that Salomon did when consctrating the Temple, where the Lord was present. This study uses a descriptive method, which is to leanr about the Principles of Living A Good Life Before God in Praise and Worship According to  2 Chronicles 5-7 and its Application for Believers Today. The goal is that through writing, namely : First, believers understand how important praise and worship are; Second : believers understand and have an attitude of life that is pleasing before God in praising and worshiping Him; Third, God is present in the worship of every believers.

scholarly journals Lofliedere – basisteoretiese elemente uit Efesiërs 1:3-14

2002 ◽  
Vol 36 (1) ◽  
Author(s):  
B. De Klerk
Keyword(s):  
Worship Service ◽  
Triune God ◽  
Praise And Worship ◽  
The Church

Songs of praise – Basis-theoretical elements from Ephesians 1:3-14 The singing of new songs of praise is frequently introduced into the worship service without evaluating the contents of the songs properly. In this article Ephesians 1:3-14 is highlighted in an effort to ascertain whether basis-theoretical elements (measures for creating and evaluating) emerge from this pericope, and if they do, what these elements are. The structure and contents of Ephesians 1:13- 14 are studied to determine what basis-theoretical elements of the song of praise can be inferred from this pericope. Subsequently it is determined in what way the relation between dogma and doxa clarifies the investigation. The praise and worship movement is evaluated and an effort is made to summarize the basis-theoretical elements implied in Ephesians 1:13-14. In creating and evaluating praise songs a well-planned structure is necessary in considering elements like the refrain and the repetition of the most important themes. The praise song should celebrate the beauty of the Triune God and his great deeds. The praise song ought to have its origin in revelation and should interact with dogmatical elements. The praise song still plays an important role in the conservation and growth of the church. The praise song ought to be born from the struggle, pain and triumph of the church and not from motives of sentimentality and rabble-rousing.

“My Worship Has Been Hijacked”

2021 ◽  
pp. 11-38
Author(s):  
Melanie C. Ross
Keyword(s):  
Historical Research ◽  
Charismatic Movement ◽  
Worship Music ◽  
Evangelical Churches ◽  
Praise And Worship

Chapter 1 combines historical research with autoethnographic narrative to contextualize the dramatic musical shifts that have taken place in evangelicalism over the last four decades. In the 1980s and 1990s, “praise and worship” music—a genre with roots in the Pentecostal and charismatic movement—began to enter the evangelical mainstream. Evangelical churches struggled with how to negotiate the ethos and aesthetics of these new songs into their services, leading to a period that many commentators dubbed the “worship wars.” Subsequent developments, including the formation of Christian Copyright Licensing International (CCLI), a concerted push by secular distributors to sell worship music to churches, and the rise of new kind of performer (the “celebrity worship leader”), exacerbated internal congregational tensions and debates.

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