For Early Modern Printed Biblical Literature in Italian: Lay Authorship and Readership

Author(s):  
Michael C. Legaspi

Although biblical criticism in the early modern period is often identified with the rejection of tradition, a closer examination reveals a more complex effort to investigate the literal sense while retaining the authority of Christian culture and Antiquity. This chapter traces the development of early modern biblical criticism in relation to changing attitudes toward early Christian interpreters. Focusing on the Republic of Letters and figures such as Erasmus and Hugo Grotius, it also examines the pivotal contribution of French Oratorian Richard Simon. Simon is important not only for his critical histories of biblical literature but also for his articulation of the relation between criticism and traditional authority. Finally, this chapter considers the ways that Simon’s conception of criticism paved the way for academic interpreters in the eighteenth century, notably Johann Salomo Semler.


2016 ◽  
Vol 57 (6) ◽  
pp. 623-635
Author(s):  
Roman Krzywy

Summary The article begins with an overview of the best known descriptions of palaces and temples in classical and Biblical literature. It is followed by a brief survey of the rhetorical rules associated with the ekphrasis of notable buildings, palaces, and other architectural wonders. After noting the importance of such description in the study of literature from classical antiquity until the Early Modern Age, the article focuses on two encomiums of the 17th century, Samuel Twardowski’s Leszczyński Palace (1643) and Samuel Leszczyński’s A Classicum of immortal Fame (1674). In both poems the encomium is fused with an allegorical ekphrasis of an imaginary Hall of Fame. While either of the two poems abounds in highly vivid descriptions, Leszczyński’s owes a great deal to the descriptive strategies and rhetoric of the elder poet. His ambition, though, was to outdo Twardowski. Leszczyński’s poetic hall with its allegories is a Baroque extravaganza, extolling not just one noble family but the glory of the Polish nation at large.


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