Tears in Heaven: Tracing the Contours of a Pan-European Transconfessional Genre

This article explores the genesis, proliferation, and readership of an understudied genre of religious poetry in early modern Europe. The weeping poem—a devotional literary genre combining elements of epic narrative and Petrarchan lyric that focused specifically on the religious grief of biblical figures—swept across Europe in the forty years around the turn of the seventeenth century. Although this genre was instigated by the Italian Luigi Tansillo’s 1560 Le Lagrime di San Pietro and has often been read as exhibiting a distinctively Counter-Reformation spirituality, our survey of weeping poems uncovers the surprising reach of this genre across multiple languages and even into Protestant England. The range and popularity of this specific kind of weeping poetry across early modern national, linguistic, and confessional lines shows how this constellation of texts transmitted a new form of devotional affect founded on imaginative identification with weeping biblical narrators. In other words, these poems demonstrate how interiority, rather than factional political or theological difference, could be the basis for new emotional communities of worship. Moreover, the relative obscurity of this genre to scholars prompts new questions around the viability of continuing to explore early modern European literary traditions from the perspective of nationalist/linguistic/confessional frameworks.

A. C. Mukerji on the Problem of Skepticism and Its Resolution in Neo-Vedānta

This paper examines the work of the unsung modern Indian Philosopher A. C. Mukerji, in his major works Self, Thought and Reality (1933) and The Nature of Self (1938). Mukerji constructs a skeptical challenge that emerges from the union of ideas drawn from early modern Europe, neo-Hegelian philosophy, and classical Buddhism and Vedānta. Mukerji’s worries about skepticism are important in part because they illustrate many of the creative tensions within the modern, synthetic period of Indian philosophy, and in part because they are truly profound, anticipating in interesting ways the worries that Feyerabend was to raise a few decades later. Arguing that Humean, Kantian, neo-Hegelian, and Buddhist philosophy each fail to provide an adequate account of self-knowledge, Mukerji leverages this finding to further argue that these systems fail to offer a proper account of knowledge more generally. His solution to skepticism centers on a distinctively modern interpretation of Śaṅkara’s Vedānta.

Mapping Imagined Territory. Quaresmio's Chorographia and Later Franciscan Holy Land Maps, in Constructing and Representing Territory in Late Medieval and Early Modern Europe, edited by Mario Damen and Kim Overlaet (Amsterdam University Press).

This contribution examines pre-modern cartography as a territorial technique for representing imagined territory, linking social groups to geographical space. It suggests that pre-modern maps could project territory by means other than visualising boundaries, and that accompanying texts could play a significant role, as in the case of Friar Francesco Quaresmio’s map of the Holy Land in Terrae Sanctae Elucidatio (1639). By analysing the immediate context of Quaresmio’s map – a lavish book publication – I show how Quaresmio’s Chorographia represents Franciscan territorial claims through an interaction between the map’s visual content and its immediate textual context within the book. Like other Franciscan maps also discussed here, it employs the imagined territories of the Bible as a versatile cartographical topos for various purposes, territorial or otherwise.