early modern english
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2021 ◽  
Vol 21 (2) ◽  
pp. 57-81
Author(s):  
Vladimir Bondar

In the current study, data from A Corpus of English Dialogues (1560-1760) are used to consider contexts with the have-perfect and temporal adverbs of the definite past time such as yesterday, last night, ago. Data analysis is conducted within the framework of a usage-based approach, which gives evidence to the hypothesis that in Early Modern English the have-perfect in spoken register was gradually developing perfective semantics and that it followed the stages of generalization of meaning depending on the degree of event remoteness. Investigation of the instances where the have-perfect is used in narrative passages shows that the have-perfect in such contexts does not lose its pragmatic component of current relevance but is employed to highlight a crucial event out of a chain of past events. The paper proposes the hypothesis that the main mechanism preventing the have-perfect from further aoristicization is the operation of syntactic analogy within the syntactic paradigm of the present perfect, which had already fully developed by the time of Early Modern English.


Early Theatre ◽  
2021 ◽  
Vol 24 (2) ◽  
Author(s):  
Romola Nuttall

This essay investigates the motivation behind the print publication of The Misfortunes of Arthur, privileging its functionality as a record of court performance rather than the political significance of its circulation. Examination of the playbook’s distinctive and extensive paratextual apparatus reveals the authors’ involvement with print publication. In considering the bibliographic presentation of the dumbshows, this essay finds overlooked parallels between Misfortunes and Stuart court masques and thus repositions the role which Misfortunes, and Inns drama more broadly, played in the developing relationship between early modern English print and performance.


2021 ◽  
Author(s):  
◽  
Qiwei He

<p>Inspired by conventional Petrarchism, early modern English poets adopted the concept and rhetoric of paradox in their articulations of desire while revealing significant progression and innovation. Desires expressed by the poet-lovers in the poems of Philip Sidney, Edmund Spenser, John Donne, and George Herbert are the culmination of attempts to coordinate incongruent and contrasting extremes. This thesis examines how desire operates as paradox in Philip Sidney’s Astrophil and Stella, Philip and Mary Sidney’s Psalms, Spenser’s Amoretti and Epithalamion, Donne’s amorous and religious poems, and Herbert’s poems.   Chapter One discusses Astrophil’s desire in Astrophil and Stella as demonstrating the Petrarchan lover enfolded in Neoplatonism. It also explores Donne’s amorous poems, which apply religious vocabularies to communicate sexual love, filling the gap between the distant extremes, establishing a paradoxical unity. In Chapter Two, the thesis compares Spenser’s speakers in Amoretti and Epithalamion and the Sidneys’ Psalmist as Neoplatonic lovers, both of whom search within the physical realms—nature and the body—to express the desire for their divine beloved. In Chapter Three, I compare Donne’s religious poems and selected lyrics from George Herbert’s The Temple. I argue that in Donne’s religious poems, spiritual love is mediated through fleshly desire in a sacramental poetics. The relationship between physical desire and spiritual love is comprehended through sacramental analogy. Comparably, in Herbert’s The Temple, the internal and external components of religious desire reflect the Sacramental theories in which Eucharistic elements communicate their divine referents. The effective way to express love for God, paradoxically, is to establish a spiritual justification for an affirmative embrace of sexuality, making fleshly desire serve as a vehicle of Divine grace.   As Donne asserts in his Paradoxes and Problems, “by Discord things increase”. The poet-lovers in the works this thesis explores constantly yearn to imitate and represent their beloved by means of “Discord” and the performance of paradoxical unity. Accordingly, paradoxical desire becomes the inevitable consequence of the poet-lover as a desiring subject who approaches a supposedly insuperable obstacle when he correlates with the beloved obj</p>


2021 ◽  
Author(s):  
◽  
Qiwei He

<p>Inspired by conventional Petrarchism, early modern English poets adopted the concept and rhetoric of paradox in their articulations of desire while revealing significant progression and innovation. Desires expressed by the poet-lovers in the poems of Philip Sidney, Edmund Spenser, John Donne, and George Herbert are the culmination of attempts to coordinate incongruent and contrasting extremes. This thesis examines how desire operates as paradox in Philip Sidney’s Astrophil and Stella, Philip and Mary Sidney’s Psalms, Spenser’s Amoretti and Epithalamion, Donne’s amorous and religious poems, and Herbert’s poems.   Chapter One discusses Astrophil’s desire in Astrophil and Stella as demonstrating the Petrarchan lover enfolded in Neoplatonism. It also explores Donne’s amorous poems, which apply religious vocabularies to communicate sexual love, filling the gap between the distant extremes, establishing a paradoxical unity. In Chapter Two, the thesis compares Spenser’s speakers in Amoretti and Epithalamion and the Sidneys’ Psalmist as Neoplatonic lovers, both of whom search within the physical realms—nature and the body—to express the desire for their divine beloved. In Chapter Three, I compare Donne’s religious poems and selected lyrics from George Herbert’s The Temple. I argue that in Donne’s religious poems, spiritual love is mediated through fleshly desire in a sacramental poetics. The relationship between physical desire and spiritual love is comprehended through sacramental analogy. Comparably, in Herbert’s The Temple, the internal and external components of religious desire reflect the Sacramental theories in which Eucharistic elements communicate their divine referents. The effective way to express love for God, paradoxically, is to establish a spiritual justification for an affirmative embrace of sexuality, making fleshly desire serve as a vehicle of Divine grace.   As Donne asserts in his Paradoxes and Problems, “by Discord things increase”. The poet-lovers in the works this thesis explores constantly yearn to imitate and represent their beloved by means of “Discord” and the performance of paradoxical unity. Accordingly, paradoxical desire becomes the inevitable consequence of the poet-lover as a desiring subject who approaches a supposedly insuperable obstacle when he correlates with the beloved obj</p>


2021 ◽  
Vol 47 (3) ◽  
pp. 39-58
Author(s):  
Esther Liberman Cuenca

This article examines 45 preambles in collections of urban customary law (called custumals) from 32 premodern towns in England between the twelfth and sixteenth centuries. Urban custom was the local law of English towns, and constituted traditions and privileges that gained legal force over time. How lawmakers conceived of “bad” custom—that is, the desuetude or corruption of custom—was crucial to the intellectual framework of urban law. Evidence from preambles shows that lawmakers rooted the legitimacy of their laws in “customary time,” which was the period from the supposed origins of their customs to their formalization in text. Lawmakers’ efforts to reinforce, ratify, and revise urban customs by making new custumals and passing ordinances were attempts to broaden their autonomy and respond to the possibility of “bad” custom.


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