1 John 3.12, Early Judaism and the Greek Life of Adam and Eve

2020 ◽  
Vol 42 (4) ◽  
pp. 453-471
Author(s):  
John R. Levison

The seemingly sudden introduction of an allusion to Cain and Abel in 1 Jn 3.12 is puzzling. To explain this apparent intrusion, select scholars have turned to early Jewish interpretations of Gen. 4. The purpose of this study is to provide further grist for this mill. Beginning with an appraisal of the role Jewish texts play in the analyses of Ernst Lohmeyer, Raymond Brown and Judith Lieu, it continues with a detailed study of an ancient text that has been neglected in the interpretation of 1 Jn 3.12, the Greek Life of Adam and Eve (GLAE). A consideration of key features in the story of Cain and Abel in GLAE strengthens the possibility that 1 Jn 3.12 was part and parcel of an interpretive milieu that sharpened the divide between righteous and evil, between murderer and martyr.

Author(s):  
Jennifer L. Koosed

Food is a comprehensive cultural code. In ancient Israel and early Judaism, food production and preparation structured lives; what one did in the process was determined by gender and class status and sometimes even marked by ethnic and religious identity. Food also serves to structure narrative, shape characterization, and add layers of symbolic signification to story. In the Bible, the drama of the first few chapters revolves around proper versus improper eating, and the final book portrays God as a lamb sacrificed for the Passover meal. Between picking and tasting the forbidden fruit, and slaughtering and eating God, a whole host of food-related plots, characters, and images proliferate, many of which revolve around the most important of foodstuffs: bread. This chapter explores the centrality of bread in the story of Adam and Eve, the book of Ruth, and the gospels of Jesus.


2004 ◽  
Vol 46 (1) ◽  
pp. 20-45 ◽  
Author(s):  
Rivka Nir

AbstractAccording to the Greek life of Adam and Eve, before his expulsion from Paradise, Adam received permission to take four kinds of aromatic fragrances to use as earthly incense offerings. These four spices do not correspond with the ingredients of the biblical incense offering. The kinds of spices and the fact that they were taken from Paradise attests to the Christian nature of this tradition. The aromatic fragrances are the earthly remains of Paradise and a kind of substitute for the tree of life whose oil, which symbolized Christ, bestows eternal life and was promised to Adam only at the end of time—at the resurrection. The Christian nature of the fragrances in GLAE is also expressed in its role as a means for atonement and its theological meaning at Adam's funeral and death.


Apocrypha ◽  
2014 ◽  
Vol 25 ◽  
pp. 151-170
Author(s):  
Magdalena Diaz Araujo
Keyword(s):  

2019 ◽  
Vol 6 (1) ◽  
pp. 97-133
Author(s):  
Andrew Crislip

AbstractThis article traces a long-lived tradition of understanding the Eden narrative and its aftermath as a story about the birth of painful emotions, what one might translate into English as shame, fear, and, above all, sadness. The consensus reading of Genesis in the Anglo-American tradition does not reflect an underlying emotional emphasis in the fateful oracle to Eve and Adam in Gen 3:16–17. Translations and commentaries overwhelmingly interpret God’s words as physiological and material, sentencing the woman to painful childbirth and the man to onerous labor in the fields. Yet, as demonstrated by a number of scholars, God’s oracle to the pair in the Hebrew text deals with pain more broadly, with a focus on emotional pain, especially sadness, sorrow, or grief. This emotional suffering is shared by man and woman, and is the catalyst for the first murder. Hellenistic Jewish and later Christian readers embraced and elaborated on this very early emotional aspect of the Eden myth. The Septuagint translates the oracle in unmistakably emotional terms, adopting vocabulary typical of popular moral philosophy, and clarifies the thematic connection between Genesis 3 and 4 by highlighting the emotional repercussions of the emotional change wrought by the primal transgression. Authors like Philo and Josephus interpreted the Eden narrative in fundamentally emotional ways, and pseudepigrapha were particularly engaged in drawing out and elaborating on the emotions of the Eden myth. Most of all theGreek Life of Adam and Eveand 4 Ezra transform the story into meditations on emotional suffering, the former retelling the myth, the latter repurposing it into an apocalyptic vision of joy and sorrow at the end times. Both texts furthermore identify sadness (lupēortristitia, in Greek and Latin version of Gen 3:16–17) as dually significant, both as punishment and as a saving, divinizing quality, one which can also effect communion between human and divine. This way of reading Eden’s emotions dominated Christian reception of the Eden myth, from the Gospel of John on. Ptolemy, Didymus, Ambrose, Augustine, and others understood the Eden myth as primarily about the origin and meaning of emotional suffering. This style of reception remained a widespread reading until the turn of the twentieth century, when, for a variety of reasons, Christians began to read the oracle in the physiological and materialist terms (pain in childbirth and agricultural labor) that are now dominant.


1983 ◽  
Vol 5 (6) ◽  
pp. 179-183
Author(s):  
Frederick Hecht ◽  
Barbara K. Hecht

Twins are nothing new. They have been of interest for thousands of years. The Song of Solomon sang in amorous tones: "Thy breasts are like two young roes that are twins, which feed among the lilies." Genesis relates the story of Adam and Eve and their sons: Cain and Abel. According to Mohammedan tradition, Cain and Abel were born with twin sisters. Adam wished for Cain to marry Abel's twin and for Abel to marry Cain's twin. However, Cain was enamored of his own twin sister and so in jealousy slew his brother Abel. Twins appear in many ancient writings beyond the Bible. Romulus and Remus, the mythic founders of Rome, were twins. Shakespeare wrote of "twinn'd lambs that did frisk; ' the sun, and bleat the one of the other" in The Winter's Tale. GALTON: THE STUDY OF TWINS Modern scientific interest in twins dates to Sir Francis Galton. In 1875, Galton emphasized the importance of studies of twins to distinguish heredity from environment or, as he put it, "nature from nurture." Galton, a cousin of Charles Darwin, made numerous other contributions, among them the study of fingerprints which are remarkably alike in identical twins. Fingerprints are today commonplace in law. In pediatrics, dermatoglyphic features assist in the rapid clinical diagnosis of trisomy 13, 18, and 21 (Down syndrome).


Author(s):  
Paul M. Blowers

This chapter moves straightaway into the first, and foundational, form of early Christian tragical mimesis, the interpretation of tragic (and tragic-comic) biblical narratives. “Dramatic” interpretation was not a method all its own but drew upon both literal and figural reading of the scriptural texts, and focused on mimetic re-presentation of the narratives in ways that highlighted and amplified their tragic elements. It served a primarily “contemplative” mode, or theôria, of reading tragic narratives, conducive to a tragical vision of sacred history. The chapter turns to some case studies of tragical or dramatic interpretation of the primitive tragedies in Genesis: the precipitous fall of Adam and Eve and their recognition thereof; and the tragic sibling rivalries of Cain and Abel and Jacob and Esau. Attention is given to the specific Aristotelian elements of tragedy (plausible or realistic plots; characters’ fateful miscalculation, or hamartia; reversal of fortune, or peripeteia; discovery, or anagnorisis; pathos, et al.) which patristic exegetes discerned in these stories. Mimetic or dramatic interpretation enhanced these elements all the more as means to draw audiences into the cosmic significance of the narratives related to moral evil, the legacies of sin and death, the fear of determinism, and the justice and providence of God.


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