Book Review: East Los Angeles: History of a Barrio

1985 ◽  
Vol 19 (2) ◽  
pp. 357-358
Author(s):  
Isidro D. Ortiz
2021 ◽  
Vol 9 (1) ◽  
pp. 40-49
Author(s):  
Dana Osborne

AbstractThis analysis examines the ways in which a single speaker, Ana, born in mid-century East Los Angeles, organizes and reflects upon her experiences of the city through language. Ana’s story is one that sheds light on the experiences of many Mexican Americans who came of age at a critical time in a transitioning L.A., and the slow move of people who had been up until mid-century relegated largely in and around racially and socioeconomically segregated parts of L.A. These formative experiences are demonstrated to have informed the ways that speakers parse the social and geographical landscape along several dimensions, and this analysis interrogates the symbolic value of a special category of everyday language, deixis, to reveal the intersection between language and social experience in the cityscape of L.A. In this way, it is analytically possible to not only approach the habituation and reproduction of specific deictic fields as indexical of the ways that speakers parse the city, but also to demonstrate the ways in which key moments in the history of the city have shaped the emergence and meaning of those fields.


2001 ◽  
Vol 106 (2) ◽  
pp. 610
Author(s):  
David G. Gutierrez ◽  
John R. Chavez

1985 ◽  
Vol 19 (2) ◽  
pp. 357
Author(s):  
Isidro D. Ortiz ◽  
Richard Romo

Author(s):  
David F. Garcia

This chapter presents the author's reflections about Cuban music in Los Angeles. He says that although the history of Cuban music in East Los Angeles may be little known, musicians like Cuban composer Arsenio Rodriguez and flutist Rolando Lozano are an important part of the story of how Latin American music took shape across the greater LA landscape. Re-engaging with historical documents on the Paramount Ballroom that he collected from 1996 to 2003, he says that if we rethink the nature of our temporal and spatial distances from 1965, from the Paramount Ballrooms of the past, and seek to understand this place's meanings via people's movements of all sorts across time and geographic space, then we might retrieve the Paramount Ballroom's historical significances from vantage points of a different epistemology altogether. He attempts to listen between and across boundaries of all sorts, including “between the lines” of archival newspaper reports.


1999 ◽  
Vol 86 (2) ◽  
pp. 861
Author(s):  
Rodolfo F. Acuna ◽  
John R. Chavez

1984 ◽  
Vol 89 (2) ◽  
pp. 544
Author(s):  
Lawrence A. Cardoso ◽  
Ricardo Romo

Sign in / Sign up

Export Citation Format

Share Document