How experiments age: Gerontology, beagles, and species projection at Davis

2018 ◽  
Vol 48 (2) ◽  
pp. 232-258 ◽  
Author(s):  
Brad Bolman
Keyword(s):  
Cold War ◽  
Canine Model ◽  
University Of California ◽  
Model Organisms ◽  
Human Longevity ◽  
Beagle Dogs ◽  
Experimental Animals ◽  
Scientific Disciplines ◽  
The University ◽  
Breeding Kennel

Cold War curiosities about the dangers of radiation generated significant funding for an array of biomedical projects as enticing as they were unpredictable, introducing newly standardized experimental animals into laboratories and a novel merging of scientific disciplines. The desire to understand radiation’s effects on human longevity spurred a multi-sited, multi-decade project that subjected beagle dogs to varying degrees of irradiation. One of those laboratories, located at the southern tip of the campus of the University of California, Davis, eventually hosted an elaborate experimental breeding kennel and a population of ‘control’ dogs that set new milestones for canine longevity. The present article examines this gerontological spin-off experiment, using the study of aging as a method and object in order to analyze the emergence and disappearance of the Davis Radiobiology Laboratory and explore how research using new canine model organisms mirrored the politics and anxieties faced by citizens and scientists of the era, here termed ‘species projection’.

The Case of Martha Deane: Sexuality and Power at Cold War UCLA

2007 ◽  
Vol 47 (4) ◽  
pp. 470-496 ◽  
Author(s):  
Kathleen Weiler
Keyword(s):  
Cold War ◽  
Korean War ◽  
The United States ◽  
State Legislature ◽  
University Of California ◽  
Appellate Court ◽  
The Korean War ◽  
Loyalty Oath ◽  
The Cold War ◽  
The University

Despite widespread support for the postwar expansion of higher education, U.S. colleges and universities in the early 1950s were not isolated from broader social currents, and the deep social anxieties and political tensions of the Cold War found their way onto college campuses. In 1952, the University of California was still reeling from the loyalty oath controversy. In the late 1940s the University of California, like other universities nationwide, had been viewed with increasing suspicion by anti-Communist groups. The search for subversives in California institutions, spearheaded by the Tenney Committee of the California State Legislature, led the University of California's Board of Regents to add a disclaimer of membership in any organization advocating the overthrow of the United States to the oath of allegiance already required of faculty. In an atmosphere of rising hysteria about possible subversives and Communists in academia, on February 24, 1950, the Regents voted to fire anyone employed by the University of California who failed to sign the oath. This decision led to strong opposition from students and faculty. Despite these protests, and particularly after the outbreak of the Korean War in June, 1950, the Regents held firm. On August 25, 1950, thirty-one members of the University of California faculty were dismissed because they refused to sign the loyalty oath. None of them was accused of being a Communist or subversive. After an appellate court ruled against the Regents, in October 1951 the Regents voted to rescind the oath, but maintained their stance that the university would not employ Communists. Although the California Supreme Court upheld the ruling of the appellate court and the non-signers were reinstated to the university, the mood at the university, as in the nation as a whole, continued to be one of anxiety and unease.

Dialogues

2020 ◽  
Vol 2 (3) ◽  
pp. 53-59
Keyword(s):  
Los Angeles ◽  
New Spain ◽  
American Art ◽  
Historical Trauma ◽  
State Building ◽  
University Of California ◽  
Religious Experiences ◽  
Political Space ◽  
California Missions ◽  
The University

The California missions, whose original church spaces and visual programs were produced by Iberian, Mexican, and Native artisans between 1769 and 1823, occupy an ambiguous chronological, geographical, and political space. They occupy lands that have pertained to conflicting territorialities: from Native nations, to New Spain, to Mexico, to the modern multicultural California. The physical and visual landscapes of the missions have been sites of complex and often incongruous religious experiences; historical trauma and romantic vision; Indigenous genocide, exploitation, resistance, and survivance; state building and global enterprise. This Dialogues section brings together critical voices, including especially the voices of California Indian scholars, to interrogate received models for thinking about the art historical legacies of the California missions. Together, the contributing authors move beyond and across borders and promote new decolonial strategies that strive to be responsive to the experience of California Indian communities and nations. This conversation emerges from cross-disciplinary relationships established at a two-day conference, “‘American’ Art and the Legacy of Conquest: Art at California’s Missions in the Global 18th–20th Centuries,” sponsored by the Terra Foundation for American Art and held at the University of California, Los Angeles, in November 2019.

Appraising Newness: Whiteness, Neoliberalism & the Building of the Archive for New Poetry

2017 ◽  
Vol 1 (2) ◽  
Author(s):  
Eunsong Kim
Keyword(s):  
San Diego ◽  
University Of California ◽  
Collection Development ◽  
Literary Scholarship ◽  
Avant Garde ◽  
Archival Practice ◽  
Small Press ◽  
The University

The Archive for New Poetry (ANP) at the University of California San Diego was founded with the specific intention of collecting alternative, small press publications and acquiring the manuscripts of contemporary new poets. The ANP’s stated collection development priority was to acquire alternative, non-mainstream, emerging, “experimental” poets as they were writing and alive, and to provide a space in which their papers could live, along with recordings of their poetry readings. In this article, I argue that through racialized understandings of innovation and new, whiteness positions the ANP’s collection development priority. I interrogate two main points in this article: 1) How does whiteness—though visible and open—remain unquestioned as an archival practice? and 2) How are white archives financed and managed? Utilizing the ANP’s financial proposals, internal administrative correspondences, and its manuscript appraisals and collections, I argue that the ANP’s collection development priority is racialized, and this prioritization is institutionally processed by literary scholarship that linked innovation to whiteness. Until very recently, US Experimental and “avant-garde” poetry has been indexed to whiteness. The indexing of whiteness to experimentation, or the “new” can be witnessed in the ANP’s collection development priorities, appraisals, and acquisitions. I argue that the structure of the manuscripts acquired by the ANP reflect literary scholarship that theorized new poetry as being written solely by white poets and conclude by examining the absences in the Archive for New Poetry.

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