The Twenty-Fifth Dynasty Theban Mortuary Temple of the Vizier Nebneteru, Reused by Khonsuirdis and Others

2021 ◽  
pp. 030751332110429
Author(s):  
Kathryn Howley ◽  
Pearce Paul Creasman

The Third Intermediate Period temple tomb, or mortuary temple, of Nebneteru, most often referred to as the tomb of Khonsuirdis, was described by Petrie as ‘one of the most prominent landmarks of the western side of Thebes’, yet remains little discussed in the scholarly literature. It was excavated by Petrie in the 1890s and more fully by an Italian team in the 1970s, but never fully published. The scattered references to archaeological and textual evidence for the monument and those interred within it are surveyed in this article, including new evidence from the University of Arizona Egyptian Expedition’s excavations at the adjoining site of the Tausret Memorial Temple. In light of recently updated understandings of Third Intermediate Period material culture, an argument is made for a revised early Twenty-Fifth Dynasty dating of the monument. The mortuary temple of Nebneteru, though little known, offers a rare and interesting glimpse into the funerary belief and practice of the Egyptian high élite in the early Twenty-Fifth Dynasty.

2016 ◽  
Vol XXIV (1) ◽  
pp. 239-246 ◽  
Author(s):  
Patryk Chudzik

In the 2013/2014 season, a Polish team from the University of Wrocław started work in the northern part of the Asasif necropolis, near the Temple of Queen Hatshepsut in Deir el-Bahari. An archaeological survey was carried out on the Asasif slope. Cleaning work and documentation were undertaken of the architecture of four private tombs: MMA 509/TT 312, MMA 512, MMA 513/TT 314 and MMA 514, as well as the archaeological finds thereof. The rock-cut tombs belong to a Middle Kingdom necropolis and were all reused in later times, especially in the Third Intermediate Period and Late Period.


Author(s):  
Zsolt Kiss ◽  

Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.


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