scholarly journals Female bodybuilders on Instagram: Negotiating an empowered femininity

2018 ◽  
Vol 29 (1) ◽  
pp. 96-119 ◽  
Author(s):  
Kayla Marshall ◽  
Kerry Chamberlain ◽  
Darrin Hodgetts

Strength and femininity have in many ways been culturally constructed as two mutually exclusive phenomena. This paper considers how Instagram facilitates female body objectification and surveillance through an examination of female bodybuilders whose muscular bodies represent both resistance against and conformity to dominant cultural notions around women as fragile, weak, and subservient. We reveal how surveillance over the bodies of female bodybuilders on Instagram functions to reposition them as more (hetero)normatively feminine by encouraging them to present bodies which are ornamented, sexualized, and passive. We also reveal how female bodybuilders practise self-surveillance on Instagram by simultaneously resisting and conforming to this surveillance. In the process, these women manage to redefine femininity for themselves in ways which problematize dualistic notions around strength and femininity.

2005 ◽  
Vol 29 (1) ◽  
pp. 33-37 ◽  
Author(s):  
Shelly Grabe ◽  
Clay Routledge ◽  
Alison Cook ◽  
Christie Andersen ◽  
Jamie Arndt

Previous research has illustrated the negative psychological consequences of female body objectification. The present study explores how female body objectification may serve as a defense against unconscious existential fears. Drawing from terror management theory, an experiment was designed to test the potential functionality of female body objectification. Men and women were primed to think about either their own mortality or an aversive control topic, and levels of body objectification were then assessed for both self- and other (women)-objectification. Findings supported the hypothesis that priming mortality would increase both self- and other-objectification among women, and self-objectification among those who derive self-esteem from their body. Implications for this research are discussed.


1997 ◽  
Vol 21 (2) ◽  
pp. 173-206 ◽  
Author(s):  
Barbara L. Fredrickson ◽  
Tomi-Ann Roberts

This article offers objectification theory as a framework for understanding the experiential consequences of being female in a culture that sexually objectifies the female body. Objectification theory posits that girls and women are typically acculturated to internalize an observer's perspective as a primary view of their physical selves. This perspective on self can lead to habitual body monitoring, which, in turn, can increase women's opportunities for shame and anxiety, reduce opportunities for peak motivational states, and diminish awareness of internal bodily states. Accumulations of such experiences may help account for an array of mental health risks that disproportionately affect women: unipolar depression, sexual dysfunction, and eating disorders. Objectification theory also illuminates why changes in these mental health risks appear to occur in step with life-course changes in the female body.


2005 ◽  
Author(s):  
Shelly Grabe ◽  
Clay Routledge ◽  
Alison Cook ◽  
Christie Anderson ◽  
Jamie Arndt

2014 ◽  
Vol 45 (6) ◽  
pp. 495-497 ◽  
Author(s):  
Nicolas Guéguen

Nelson and Morrison (2005 , study 3) reported that men who feel hungry preferred heavier women. The present study replicates these results by using real photographs of women and examines the mediation effect of hunger scores. Men were solicited while entering or leaving a restaurant and asked to report their hunger on a 10-point scale. Afterwards, they were presented with three photographs of a woman in a bikini: One with a slim body type, one with a slender body type, and one with a slightly chubby body. The participants were asked to indicate their preference. Results showed that the participants entering the restaurant preferred the chubby body type more while satiated men preferred the thinner or slender body types. It was also found that the relation between experimental conditions and the choices of the body type was mediated by men’s hunger scores.


2006 ◽  
Author(s):  
Christine E. Sullivan ◽  
Jaine Strauss ◽  
Stephen J. Sullivan

2013 ◽  
Vol 10 (2) ◽  
pp. 358-373
Author(s):  
Louise Wilks

The representation of rape continues to be one of the most highly charged issues in contemporary cinema, and whilst many discussions of this topic focus on Hollywood movies, sexual violation is also a pervasive topic in British cinema. This article examines the portrayal of a female's rape in the British feature My Brother Tom (2001), a powerful and often troubling text in which the sexual violation of the teenage female protagonist functions as a catalyst for the events that comprise the plot, as is often the case in rape narratives. The article provides an overview of some of the key feminist academic discussions and debates that cinematic depictions of rape have prompted, before closely analysing My Brother Tom's rape scene in relation to such discourses. The article argues that the rape scene is neither explicit nor sensationalised, and that by having the camera focus on Jessica's bewildered reactions, it positions the audience with her, and powerfully but discreetly portrays the grave nature of sexual abuse. The article then moves on to examine the portrayal of sexual violation in My Brother Tom as a whole, considering the cultural inscriptions etched on the female body within its account of rape, before concluding with a discussion of the film's depiction of Jessica's ensuing methods of bodily self-inscription as she attempts to disassociate her body from its sexual violation.


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