scholarly journals The Diversity Digital Media Project: Engaging Migrant Youth in Japan through Creative Practice

2014 ◽  
Vol 4 (1) ◽  
pp. 9-19
Author(s):  
Shinsuke FUNAKI
2018 ◽  
Author(s):  
Alex Wilkie

Inventing the Social, edited by Noortje Marres, Michael Guggenheim and Alex Wilkie, showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading figures in sociology, architecture, geography, design, anthropology, and digital media, the book provides practical and conceptual pointers on how to move beyond the customary distinctions between knowledge and art, and on how to connect the doing, researching and making of social life in potentially new ways. Presenting concrete projects with a creative approach to researching social life as well as reflections on the wider contexts from which these projects emerge, this collection shows how collaboration across social science, digital media and the arts opens up timely alternatives to narrow, instrumentalist proposals that seek to engineer behaviour and to design community from scratch. To invent the social is to recognise that social life is always already creative in itself and to take this as a starting point for developing different ways of combining representation and intervention in social life.


2017 ◽  
Vol 16 (1-3) ◽  
pp. 15-33 ◽  
Author(s):  
Ramon Resendiz ◽  
Rosalva Resendiz ◽  
Irene J. Klaver

The Rio Grande River became a boundary after the Mexican-American War (1846-1848), dividing families and communities living along its banks. In 2005 theusCongress began enacting legislation for the purposes of building a physical fence along theus-Mexico border. As such, this digital media project foregrounds the story of Dr. Tamez, a tribal elder and retired colonel, and her Lipan Apache Band in their fight for social justice, a fight that went to federal court, and spurred an inquiry and report by the United Nations Committee on the Elimination of Racial Discrimination, and the Inter-American Commission on Human Rights.


2016 ◽  
Vol 8 (1) ◽  
pp. 215-228 ◽  
Author(s):  
Lindsay Miller
Keyword(s):  

2019 ◽  
Vol 48 (1) ◽  
pp. 175-196 ◽  
Author(s):  
Michael M. Franz ◽  
Erika Franklin Fowler ◽  
Travis Ridout ◽  
Meredith Yiran Wang

Theories of campaign issue emphasis were developed in a pre-digital era. How well do these theories explain spending in the current era, when digital media allow for targeting of specific types of voters? In this research, we compare how the 2016 campaigns, both primary and general election, deployed television advertising with how they deployed online advertising. We suggest that, because online messages are targeted to specific viewer profiles much more than television messages, television ads should be more likely to discuss highly salient issues and valance issues than online ads. To test these ideas, we rely upon data from the Wesleyan Media Project, which tracked all televised political ads that aired in 2016, and our coding of data from Pathmatics, a company that tracks online advertising. We find, contrary to our expectations, that the predictors of issue discussion online and on television are largely similar.


2012 ◽  
Vol 5 (2) ◽  
pp. 145-161
Author(s):  
Kathryn Hayes ◽  
Angela Booker ◽  
Beth Rose Middleton ◽  
Jesikah Maria Ross

This paper explores the rich learning that happens between defined learning spaces, such as that between formal curriculum and informal projects. Here we apply the notion of "hybrid space," to understand how such in-between learning spaces can facilitate a shift in participatory roles for college students engaged in a community media project. This study also highlights the ways in which media as a production medium can further transform the learning experience.


2021 ◽  
Vol 2 (1) ◽  
pp. 131-145 ◽  
Author(s):  
Rebecca Najdowski

This article discusses Echo, an environmental media project that explores the possibility of defamiliarizing representational structures of nature through creative practice techniques. Through a reflective, critical analysis of Echo, this article examines how the 3D scanning process, used at the threshold of viability, can illuminate the fragile conditions of data and the complexities of photographic representation. I argue that movements from the plane of environmental forces and forms into a digital materiality carries meaning in addition to signifying practices. This article suggests that viewing environmental photomedia through the lens of posthumanism and materialist philosophy offers the possibility of opening up more-than-representational meanings within materialities, processes, practices and art encounters.


2021 ◽  
Author(s):  
Jessica Modafferi

Friend of the Courthouse is a website application where parties receive accessible and individualized information relating to their pending case’s procedure. The objective is to allow parties to understand their procedural steps. The platform promotes access to justice in utilizing digital media. It does so by encouraging an understanding of procedural law. Although its application is best suited to the Quebec legal landscape, it can equally be applied in Ontario provided that a modernization of its court record system takes place. Considering that Friend of the Courthouse exemplifies the use of digital media as a vehicle for the advancement of access to justice, Ontario can in fact be incentivized to undergo such a modernization given the current access to justice issues it faces.


2021 ◽  
Author(s):  
Jessica Modafferi

Friend of the Courthouse is a website application where parties receive accessible and individualized information relating to their pending case’s procedure. The objective is to allow parties to understand their procedural steps. The platform promotes access to justice in utilizing digital media. It does so by encouraging an understanding of procedural law. Although its application is best suited to the Quebec legal landscape, it can equally be applied in Ontario provided that a modernization of its court record system takes place. Considering that Friend of the Courthouse exemplifies the use of digital media as a vehicle for the advancement of access to justice, Ontario can in fact be incentivized to undergo such a modernization given the current access to justice issues it faces.


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