“A Perfect Nuisance”: Working-Class Women and Neighborhood Development in Civil War St. Louis

2018 ◽  
Vol 8 (1) ◽  
pp. 32-63
Author(s):  
Elizabeth Belanger
Keyword(s):  
Civil War ◽  
Working Class ◽  
Neighborhood Development ◽  
Working Class Women

White Working-Class Women and the Race Question

1998 ◽  
Vol 54 ◽  
pp. 80-102 ◽  
Author(s):  
Dana Frank
Keyword(s):  
Working Class ◽  
White Men ◽  
The Other ◽  
White Trash ◽  
White Writers ◽  
White Working Class ◽  
Working Class Women

In Towards the Abolition of Whiteness David Roediger tells the story of Covington Hall, the editor of a newsletter published by the Brotherhood of Timber Workers in Louisiana in 1913 and 1914. Roediger deftly analyzes efforts by Hall and other white writers in the brotherhood to construct cross-racial unity within an otherwise racially torn working class. He shows how Hall redrew the lines of solidarity: On one side were the degraded, of any race.On the other were enlightened workers who eschewed racial divisions, racist language, and stereotypes. “There are white men, Negro men, and Mexican men in this union, but no niggers, greasers or white trash,” proclaimed Ed Lehman, a soapbox speaker for the Brotherhood. A headline in the newsletter similarly asked readers to choose, “SLAVES OR MEN, WHICH?” Still more graphically, a cartoon commanded, “Let all white MEN and Negro MEN get on the same side of this rotten log.”

The Lebanese Civil War 1975–90

2021 ◽  
Vol 14 (3) ◽  
pp. 105-124
Author(s):  
Jamal Wakim
Keyword(s):  
United States ◽  
Civil War ◽  
Working Class ◽  
The United States ◽  
Political Elites ◽  
Economic Role ◽  
Lebanese Civil War ◽  
Organized Violence ◽  
State And Society ◽  
Leftist Parties

This article argues that the Lebanese Civil War (1975–90) was in essence a terror of state directed by mercantile economic and political elites (the comprador class) controlling the Lebanese state and society against the middle and poorer classes (the working class). The aim of this terror or organized violence was to subdue the subordinate classes, which in the late 1960s and early 1970s rebelled against the confessional system that operated for the benefit of the comprador class. The rebellion was expressed by members of the working-class joining cross-confessional nationalist and leftist parties. Hence, violence was aimed at reestablishing the confessional order as a means to restore a hegemonic system that served the interests of the comprador class at a time when this class was rehabilitating its economic role by resurrecting the financial system, which had received a severe blow in the late 1960s. It effected this rehabilitation through the Taif Agreement signed between Lebanese parliamentarians in 1989, under the auspices of Syria, Saudi Arabia, and the United States, to favor the new mercantile elite led by Rafiq Hariri.

Loach on Loach

1998 ◽  
Keyword(s):  
Civil War ◽  
Working Class ◽  
Spanish Civil War ◽  
Social Conscience ◽  
Film And Television ◽  
Ken Loach ◽  
Tv Production

Ken Loach is one of Britain's most distinguished, and respected, film-makers. His career embraces both film and television. His landmark TV production of Cathy Come Home caused such an outcry over the plight of the homeless that Shelter was established in response. His film work is as remarkable as his television work. He makes tough, uncompromising films about a beleaguered working class – but with a poetry (as in Kes) and with a humanity soaked in humour (as in Riff Raff and Raining Stones). His work has been feted, especially on the Continent where Riff Raff received the Felix award (Europe's equivalent of the Oscar). Raining Stones won the Jury Prize at Cannes and the Best British Film of the Year award, and Land and Freedom, his film about the Spanish Civil War, won the International Critics prize at Cannes. Loach on Loach is an exploration of Ken Loach's cinema of social conscience, making much use of interviews and conversations with the man himself.

Sign in / Sign up

Export Citation Format

Share Document