Desacralizing the American Gothic: An Iconographic Approach to Edgar Huntly

1986 ◽  
Vol 14 (2) ◽  
pp. 127-138
Author(s):  
Dennis Berthold
Keyword(s):  
Author(s):  
Christine Yao

This chapter reads the development and sedimentation of the savage image of American Indians in early American history through the American gothic’s monstrous tropes, concluding with 1799 novel Edgar Huntly by Charles Brockden Brown, acclaimed as the pioneer of American gothic. If for Brown the American equivalent to Gothic castles are the perils of the western wilderness, Native Americans are the monstrous equivalent of that setting’s mythical chimera. Both inhuman and antagonistic Other, for Brown the Indian, at once integral and liminal, is a quintessential element of the American gothic genre.


Author(s):  
Robert Miles

This chapter argues that Edgar Huntly is the foundational text for the American Gothic, a genre that shadows American history. Noting the strange similarity between Charles Brockden Brown’s romance and Francisco Goya’s The Sleep of Reason, produced in the same year, the chapter argues that Brown and Goya are alike in ironizing the Enlightenment by noting that violence as often arises from reason as from its repression, as much from intellectuals striving to do good as from irrational impulses. Like many Gothic texts, the romance’s presiding metaphor is live burial, in a cave but also in language, in the very instrument of reason. The romance parallels the sleepwalking of the ambiguous foreign other, Clithere, and narrator Edgar; and just as Clithero’s narrative proves to be a compromised tissue of intertextual fantasies and lies, ostensibly benevolent but ultimately murderous, so doubt is cast on the narrator, also dangerously fettered by reason.


Author(s):  
Joel Faflak

This Companion surveys the traditions and conventions of the dark side of American culture - its repressed memories, its anxieties and panics, its fears and horrors, its obsessions and paranoias. Featuring new critical essays by established and emerging academics from a range of national backgrounds, this collection offers new discussions and analyses of canonical and lesser-known literary and other works. Its scope ranges from the earliest manifestations of American Gothic traditions in frontier narratives and colonial myths, to its recent responses to contemporary global events. Moving from analyses of eighteenth-century literature to twenty-first century video games, and touching upon visual art, film, and television, serial killers, monsters, education and cityscapes, this Companion aims to demonstrate the centrality of the gothic to American culture writ large through four key sections: Gothic Histories, Gothic Identities; Gothic Genres, Gothic Sites; Gothic Media; and American Creatures.


2016 ◽  
Vol 51 (2) ◽  
pp. 535-552
Author(s):  
STEFAN SCHÖBERLEIN

This essay examines an underexplored aspect of Charles Brockden Brown's Wieland – namely its German–Indian context – and reads it through the story's main plot device: ventriloquism. Using some of Brown's manuscripts as well as journalistic pieces, the essay brings together the more puzzling aspects of this central US American gothic tale into a study of colonial violence and transplanted voices. Following Sarah Rivett's recent claim of a “spectral presence of American Indians” in the story, this essay argues for a rereading of the character of the “bioloquist” that brings to the surface a deep history of the dispossession of Native peoples (especially the Lenape) carefully interwoven into the novel's subtext.


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