This chapter uses Bollywood Bond “adaptations” to chart the shifting
relationship between India and the West, from the Cold War era to the
neoliberal present. It examines how elements of the Bond films were
incorporated and “Indianized” in earlier films and how these elements, and
the Bollywood film itself, subsequently became more globalized, as can be
seen in contemporary Bond adaptations like Farhan Akhtar’s Don (2006)
and Don 2 (2011). Whereas previously the Bond figure was “Indianized”
and elements of the Bond film similarly indigenized via the Bollywood
masala formula, what one witnesses in the ensuing transition leading to
the contemporary era is how the Bollywood film has become more aligned,
both aesthetically and culturally, with contemporary Hollywood film forms.