scholarly journals The Still Bay and Howiesons Poort at Sibudu and Blombos: Understanding Middle Stone Age Technologies

PLoS ONE ◽  
2015 ◽  
Vol 10 (7) ◽  
pp. e0131127 ◽  
Author(s):  
Sylvain Soriano ◽  
Paola Villa ◽  
Anne Delagnes ◽  
Ilaria Degano ◽  
Luca Pollarolo ◽  
...  
Keyword(s):  
Antiquity ◽  
2016 ◽  
Vol 90 (353) ◽  
Author(s):  
Isabell Schmidt ◽  
Götz Ossendorf ◽  
Elena Hensel ◽  
Olaf Bubenzer ◽  
Barbara Eichhorn ◽  
...  

In southern Africa, Middle Stone Age sites with long sequences have been the focus of intense international and interdisciplinary research over the past decade (cf. Wadley 2015). Two techno-complexes of the Middle Stone Age—the Still Bay and Howiesons Poort—have been associated with many technological and behavioural innovations of Homo sapiens. The classic model argues that these two techno-complexes are temporally separated ‘horizons’ with homogenous material culture (Jacobs et al.2008), reflecting demographic pulses and supporting large subcontinental networks. This model was developed on the basis of evidence from southern African sites regarded as centres of subcontinental developments.


2020 ◽  
Author(s):  
Guillaume Porraz ◽  
Parkington John E. ◽  
Patrick Schmidt ◽  
Bereiziat Gérald ◽  
Brugal Jean-Philippe ◽  
...  

In southern Africa, key technologies and symbolic behaviors develop as early as the later Middle Stone Age in MIS5. These innovations arise independently in various places, contexts and forms, until their full expression during the Still Bay and the Howiesons Poort. The Middle Stone Age sequence from Diepkloof Rock Shelter, on the West Coast of the region, preserves archaeological proxies that help unravelling the cultural processes at work. This unit yields one of the oldest abstract engraving so far discovered in Africa, in the form of a rhomboid marking on the cortical surface of an ungulate long bone shaft. The comprehensive analysis of the lithic artefacts and ochre pieces found in association with the engraved bone documents the transport of rocks over long distance (>20km), the heat treatment of silcrete, the coexistence of seven lithic reduction strategies (including the production of bladelets and the manufacture of unifacial and bifacial points), the use of adhesives and the processing of ochre. At Diepkloof, the appearance of engraving practices take place in a context that demonstrates a shift in rock procurement and a diversification in lithic reduction strategies, suggesting that these behavioral practices acted as a cultural answer to cope with new environmental and/or socio-economic circumstances. We argue that the innovations later found during the Still Bay and the Howiesons Poort were already in the making during the MIS5 pre-Still Bay, though not all the benefits were yet taken advantage of by the populations.


2013 ◽  
Vol 11 (1) ◽  
pp. 75-95 ◽  
Author(s):  
Tammy Hodgskiss

Many Middle Stone Age (MSA) sites have evidence of the regular collection and use of ochre. Sibudu (KwaZulu- Natal, South Africa) has a large MSA ochre assemblage of over 9000 pieces from layers dating between ~77 ka and ~38 ka. There are 682 pieces with signs of use. All usetraces were examined and activity categories were defined based on published ochre experiments. The most frequent markings on ochre pieces are grinding striations that are smoothed by subsequent rubbing. Grinding and rubbing also occur independently on many pieces. Scored pieces are rare, but are more common in the pre-Still Bay (~77 ka) industry than elsewhere in the sequence. Some scored pieces may represent deliberate engravings. Markings acquired during powder-production are most numerous in the assemblage. Powder was mostly produced from bright-red pieces, but scoring was mainly performed on brown-red pieces. Pieces with mica inclusions are not common, but were favoured for powder production. Ochre powder was used as an aggregate in hafting adhesives, but other possible applications are as paint or as a substance to aid hide tanning.


Antiquity ◽  
2020 ◽  
Vol 94 (376) ◽  
Author(s):  
Nuno Bicho ◽  
Jonathan Haws ◽  
Matthieu Honegger

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