scholarly journals Mot ett bredare arketextualitetsbegrepp: den augustinsk-lutherska diskurstypen i Birgitta Trotzigs Dykungens dotter

2021 ◽  
Vol 2021 (1) ◽  
pp. 9-36
Author(s):  
Krzysztof Bak
Keyword(s):  
Twentieth Century ◽  
Theory And Practice ◽  
Christian Theology ◽  
Literary Studies ◽  
The Novel ◽  
Twentieth Century Literature ◽  
Literary Genres ◽  
Discourse Organization ◽  
High Degree ◽  
Century Literature

This article has three aims, all of them related to the theory and practice of intertextuality. Firstly, the article makes an attempt to reconstruct the Augustinian-Lutheran type of discourse. A number of modern theologians and historians of philosophy have observed that the main currents within Christian theology have their basis in a specific discourse organization of textual utterances. With reference to these observations, the article maps out some dominant features of Augustine’s and Luther’s discoursive practices. The type of discourse thus reconstructed contains grammatical, logical-argumentative, narrative and rhetoric-figurative characteristics, and – as a matter of fact – it manifests a high degree of applicability in the field of literary studies. Secondly, the article applies the reconstructed type of discourse to analyze a masterpiece of Swedish twentieth-century literature, the novel Dykungens dotter (The Marsh King’s Daughter, 1985) by Birgitta Trotzig (1929–2013). In several interviews, Trotzig makes evidently contradictory remarks on Augustine and Luther. She dissociates herself from their anthropology at the same time as she hints that their view of human conditions has made a deep impression on her. The article’s application intends to throw light on this precarious hermeneutic situation. The intense presence of the Augustinian-Lutheran type of discourse in the novel made apparent through the application indicates that an interpretation of Trotzig’s writings by means of Augustinian-Lutheran intertexts is hermeneutically motivated in spite of her own negative declarations. Thirdly, the article makes use of the reconstructed type of discourse in order to examin Gérard Genette’s notion of architextuality. There is a theoretical incongruence in his notion. On an explicit definitory level, architextuality includes all types of discourse and modes of enunciation. On a conteptual level, however, the notion of architextuality is constructed on the pattern of literary genres. The article’s application demonstrates that Genette’s notion requires some corrections to live up to its definitory commitments. The Augustinian-Lutheran architext comes into conflict with some of Genette’s linguisticly construed structuralistic categories and demands a more discoursive and hermeneutic way of thinking.

From Text to Dance: Andrée Howard's The Sailor's Return

2008 ◽  
Vol 26 (1) ◽  
pp. 1-17 ◽  
Author(s):  
SUSAN JONES
Keyword(s):  
Twentieth Century ◽  
West Africa ◽  
Visual Rhetoric ◽  
Racial Prejudice ◽  
West African ◽  
Source Material ◽  
The Novel ◽  
Twentieth Century Literature ◽  
Black Performance ◽  
Century Literature

This essay explores the source material for Andrée Howard's 1947 narrative work for Ballet Rambert, The Sailor's Return. Howard based her libretto for the ballet on David Garnett's 1925 novel of the same name, closely following his story of a West African princess who marries an English sailor and encounters racial prejudice in England. I examine the textual and choreographic contexts for the ballet, relating its visual rhetoric and movement vocabularies to a variety of sources from nineteenth- and twentieth-century literature and dance. In investigating the novel, we find that Garnett drew on Richard Burton's 1864 anthropological account of Dahomey (now Benin) in West Africa, especially his striking descriptions of Amazonian dance. I locate these transmissions between text and dance in the context of modernist discussions of primitivism, showing that while aspects of Howard's ballet conform to enduring primitivist traditions, its focus on the female protagonist's individuality and ethnic origins reflects the anthropological thrust of the textual sources and offers a striking critique of racism in a realist mode. Howard's choreographic style can also be located in the context of contemporary experiments in black performance dance. Her sensitive handling of sources shows her important contribution to narrative ballet and the distinctiveness of her presentation of female experience in the period.

scholarly journals ANTI-UTOPIC MO OPIC MOTIVES IN THE NO TIVES IN THE NOVEL OF EV VEL OF EVGENIY ZAMYATIN "WE"

2019 ◽  
Vol 3 (1) ◽  
pp. 197-201
Author(s):  
Jamila Khasanovna Temirova ◽  
Keyword(s):  
Twentieth Century ◽  
The Novel ◽  
Twentieth Century Literature ◽  
Detective Story ◽  
Comparative Aspect ◽  
Century Literature

In this article, in a comparative aspect, the specificity of the antiutopian genre in twentieth century literature is considered. Anti-utopian motifs in the work of Yevgeny Zamyatin "We" are defined. Focused on a new, "planetary" reader, on a new life reality, the novel turned out to be fantastic, utopian, with elements of a detective story and amusement

scholarly journals Michael Katz's Contribution to Social and Social Welfare History

2017 ◽  
Vol 41 (4) ◽  
pp. 768-771
Author(s):  
Mark J. Stern
Keyword(s):  
Twentieth Century ◽  
Social Welfare ◽  
Reagan Administration ◽  
Historical Context ◽  
Poor People ◽  
Twentieth Century Literature ◽  
Welfare History ◽  
Social Welfare History ◽  
Undeserving Poor ◽  
Century Literature

Michael Katz began work on social welfare during the late 1970s with a project entitled “The Casualties of Industrialization.” That project led to a series of essays, Poverty and Policy in American History (Katz 1983), and a few years later to In the Shadow of the Poorhouse (Katz 1986). His reading in twentieth-century literature for Shadow—and the ideological and policy nostrums of the Reagan administration—allowed Katz to pivot to two books that frame contemporary welfare debates in their historical context—The Undeserving Poor in 1989 and The Price of Citizenship in 2001, as well as a set of essays Improving Poor People (Katz 1995) that he published between the two.

A Guide to Twentieth-Century Literature in English

1984 ◽  
Vol 58 (3) ◽  
pp. 482
Author(s):  
W. Riggan ◽  
Harry Blamires
Keyword(s):  
Twentieth Century ◽  
Twentieth Century Literature ◽  
Century Literature

scholarly journals Psychotherapy Ethics in Twentieth-Century Literature

2020 ◽  
Author(s):  
Anna Magdalena Elsner
Keyword(s):  
Twentieth Century ◽  
Informed Consent ◽  
Therapeutic Relationship ◽  
Ethical Issues ◽  
Ethical Dilemmas ◽  
Literary Texts ◽  
Twentieth Century Literature ◽  
Ethical Challenges ◽  
Key Characteristics ◽  
Century Literature

Ethical issues arising in the practice of psychotherapy, such as confidentiality, boundaries in the therapeutic relationship, and informed consent, figure prominently in a range of twentieth-century literary texts that portray psychotherapy. This chapter analyzes the portrayal of these conflicts, but also stresses that they are often marginal to the overall plot structures of these narratives and that literary depictions of psychotherapy are often vague or even inaccurate concerning key characteristics of psychotherapeutic practice. Focusing on examples that either illustrate professionalism and the absence of ethical challenges in psychotherapy, or take up the ethical reservations that fueled anti-Freudianism or the anti-psychiatry movement, the chapter proposes that selected literary depictions of psychotherapy can play a key role in sensitizing therapists to the complex make-up of ethical dilemmas as well as illustrating the cultural and historical contexts of these dilemmas.

CYRANO DE BERGERAC AS A PREDECESSOR OF SCIENCE FICTION PROSE

2021 ◽  
pp. 113-124
Author(s):  
Natalia Pakhsaryan ◽  
◽  
Keyword(s):  
Science Fiction ◽  
17Th Century ◽  
Literary Studies ◽  
The Novel ◽  
Cyrano De Bergerac ◽  
Similarities And Differences ◽  
Century Literature

The article considers the genre of Cyranoʼs novel «Another world», widely discussed in both domestic and foreign literary studies. It explores the elements of science fiction in contrast to those of the miraculous, as they appear in the 17th-century literature, and identifies the features of utopianism and the peculiarities of scientific forecasting in the work. Both parts of «Another world» are examined in their similarities and differences from one another, as well as combination of universalism and topical issues of the novel with narrative irony and burlesque.

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