9 Contested Memories: Soviet and Polish Jewish Refugees and Evacuees Recount Their Experience on the Soviet Home Front

2021 ◽  
pp. 200-213
Author(s):  
Natalie Belsky
Keyword(s):  
2013 ◽  
Author(s):  
Candice A. Alfano ◽  
Jessica Balderas ◽  
Simon Lau ◽  
Brian E. Bunnell ◽  
Deborah C. Beidel

2007 ◽  
Author(s):  
Deborah Gibbs ◽  
Ruby Johnson ◽  
Lawrence Kupper ◽  
Sandra Martin
Keyword(s):  

2007 ◽  
pp. 156-177
Author(s):  
Silvia Goldbaum Tarabini Fracapane

The article deals with the most important events of the Holocaust in Denmark. The first part outlines the broader historical context of the events of October  1943 and the deportation of Danish Jews. It also contains a critical comment on the mainstream historical narration, particularly those aspects that concern the situation of Jewish prisoners at Theresienstadt. The second part is an overview of the latest research into the Danish aspects of the Holocaust, such as the expulsion of Jewish refugees, the rescue operation of October 1943, and the actual number of deportees. The author also presents results of her own research of the Danish remembrance culture.


2015 ◽  
Vol 12 (2) ◽  
pp. 151-171 ◽  
Author(s):  
Josephine Botting

The creation and viewing of war films was one of the elements in the process by which Britain attempted to come to terms with the horrors of the First World War. During the interwar period, war films took two main forms: those which reconstructed famous battles and melodramas set against a wartime backdrop. However, the film Blighty, directed by Adrian Brunel in 1927, took a slightly different approach, focusing not on military action but on those who stayed behind on the Home Front. As a director during the silent period, Brunel trod a stony path, operating largely on the fringes of the industry and never really getting a firm foothold in the developing studio structure. He remains well regarded for his independent productions yet also directed five features for Gainsborough at the end of the silent period. Of these film, his first, Blighty, is perhaps his most successful production within the studio system in terms of managing a compromise between his desire to maintain control while also fulfilling the studio's aims and requirement for box office success. Brunel's aversion to the war film as a genre meant that from the start of the project, he was engaged in a process of negotiation with the studio in order to preserve as far as possible what he regarded as a certain creative and moral imperative.


2020 ◽  
pp. 97-114
Author(s):  
Elena M. Burova ◽  

The article covers the issues of initiative acquisition of archives in the documents of personal origin during the Great Patriotic War, the organization of work to identify and collect the wartime documents. Collecting documents of ordinary citizens, in particular letters from the front and to the front is analyzed. Proposals to create the specialized archives of documents on the history of the war were never implemented. Quite a lot of the actions, search operations and expeditions were conducted in the country, for example, the “Chronicle of the Great Patriotic War”, the “Frontline letter”, the “Search”, the “Memory”, etc., during which a significant number of documents of war participants and home front workers were collected and stored. Not so much of the documents of personal origin of the war participants are concentrated in the archives. In general, there prevails the collection type of organization for storing documents from the period of the Great Patriotic War. With reference to the corpus of documents of personal origin of the war period the research literature pays its attention mostly to correspondence and diaries, memoirs. Historians and archivists, analyzing wartime letters, offer different classifications depending on the authors, recipients, subjects, etc. The article provides a generalized classification of letters based on their inherent similarities. The author also analyzes the reasons for a small number of extant diaries and memoirs, and provides examples of their classification. Likewise the article describes current approaches to the collection of personal papers within the frames of the Moscow Glavarkhiv project “Moscow – with care for history” and the Ministry of Defense project “The Memory Road”.


2004 ◽  
Vol 27 (3) ◽  
pp. 47-62 ◽  
Author(s):  
Ariela Freedman
Keyword(s):  

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