‘A war film with a difference’: Adrian Brunel's Blighty and Negotiation within the British Studio System of the Late Silent Period

2015 ◽  
Vol 12 (2) ◽  
pp. 151-171 ◽  
Author(s):  
Josephine Botting
Keyword(s):  
Silent Period ◽  
Home Front ◽  
World War ◽  
War Films ◽  
Box Office ◽  
The First World War ◽  
Studio System ◽  
To Come ◽  
First World ◽  
War Film

The creation and viewing of war films was one of the elements in the process by which Britain attempted to come to terms with the horrors of the First World War. During the interwar period, war films took two main forms: those which reconstructed famous battles and melodramas set against a wartime backdrop. However, the film Blighty, directed by Adrian Brunel in 1927, took a slightly different approach, focusing not on military action but on those who stayed behind on the Home Front. As a director during the silent period, Brunel trod a stony path, operating largely on the fringes of the industry and never really getting a firm foothold in the developing studio structure. He remains well regarded for his independent productions yet also directed five features for Gainsborough at the end of the silent period. Of these film, his first, Blighty, is perhaps his most successful production within the studio system in terms of managing a compromise between his desire to maintain control while also fulfilling the studio's aims and requirement for box office success. Brunel's aversion to the war film as a genre meant that from the start of the project, he was engaged in a process of negotiation with the studio in order to preserve as far as possible what he regarded as a certain creative and moral imperative.

scholarly journals Challenging ‘Imperialist’ Cinematography: IRA Attacks on Dublin Cinemas, 1925-1939

2018 ◽  
Vol 2 (2) ◽  
pp. 119-133
Author(s):  
Donal Fallon
Keyword(s):  
First World War ◽  
Cultural Imperialism ◽  
Department Of Justice ◽  
World War ◽  
War Films ◽  
Chief Of Staff ◽  
The First World War ◽  
Republican Movement ◽  
First World ◽  
War Film

In mid-November 1925, the Masterpiece cinema in Dublin was called upon by armed men, who seized seven of its eight copies of the First World War film The Battle of Ypres. Shortly afterwards, on 20 November, it was reported that the showing of its remaining copy was enough for the IRA to explode ‘a powerful landmine in the wide entrance to the Masterpiece cinema in Talbot Street’. This marked the beginning of a series of attacks upon Dublin picturehouses. The 1920s and 1930s witnessed sustained denunciation of war cinematography in republican publications such as An Phoblacht and Irish Freedom, as well as occasional violent assaults upon cinemas. This was part of a broader ‘Boycott British’ movement, and an IRA campaign against what it saw as cultural imperialism. Drawing on state intelligence files, such as the Crime and Security papers of the Department of Justice, contemporary newspaper reports from both the mainstream and separatist press, and the archives of leading IRA figures such as Chief of Staff (1926-1936) Moss Twomey, this article demonstrates the manner in which the republican movement attempted to impose censorship on the Dublin cinema industry. It examines the manner in which several war films were selectively censored and amended before they were presented to the Irish public, indicating the fears of the authorities regarding potential political assault.

The Motif of Sacrifice in the Literature and Culture of the Second World War

2018 ◽  
Author(s):  
Mark Rawlinson
Keyword(s):  
Short Stories ◽  
First World War ◽  
Second World War ◽  
Home Front ◽  
World War ◽  
War Poetry ◽  
Anglophone Literature ◽  
The First World War ◽  
Second World ◽  
First World

This chapter explores how Anglophone literature and culture envisioned and questioned an economy of sacrificial exchange, particularly its symbolic aspect, as driving the compulsions entangled in the Second World War. After considering how Elizabeth Bowen’s short stories cast light on the Home Front rhetorics of sacrifice and reconstruction, it looks at how poets Robert Graves, Keith Douglas, and Alun Lewis reflect on First World War poetry of sacrifice. With reference to René Girard’s and Carl von Clausewitz’s writings on war, I take up Elaine Cobley’s assertion about the differing valencies of the First and Second World Wars, arguing that the contrast is better seen in terms of sacrificial economy. I develop that argument with reference to examples from Second World War literature depicting sacrificial exchange (while often harking back to the First World War), including Evelyn Waugh’s Sword of Honour Trilogy (1952–61), and William Wharton’s memoir Shrapnel (2012).

scholarly journals “Buried Alive”: Experience, Memory, and the Interwar Publishing of the Egyptian Expeditionary Force in Postwar Britain, 1915-1939

2013 ◽  
Vol 23 (2) ◽  
pp. 212-250 ◽  
Author(s):  
Justin Fantauzzo
Keyword(s):  
First World War ◽  
Home Front ◽  
Sinai Peninsula ◽  
World War ◽  
The Road ◽  
The Past ◽  
War Narrative ◽  
War Machine ◽  
The First World War ◽  
First World

Over 450,000 British soldiers fought as part of the Egyptian Expeditionary Force during the First World War. Between 1915-1918, they fought their way across the Sinai Peninsula, into southern Palestine, captured Jerusalem, and overran the Turkish Army, leading to the surrender of the Ottoman Empire in October 1918. Despite being the war’s most successful sideshow, the Egypt and Palestine campaign struggled to gain popular attention and has largely been excluded from First World War scholarship. This article argues that returning soldiers used war books to rehabilitate the campaign’s public profile and to renegotiate the meaning of wartime service in interwar Britain. The result of sporadic press attention and censorship during the war, the British public’s understanding of the campaign was poor. Periodic access to home front news meant that most soldiers likely learnt of their absence from Britain’s war narrative during the war years. Confronting the belief that the campaign, prior to the capture of Jerusalem, was an inactive theatre of war, British soldiers refashioned themselves as military labourers, paving the road to Jerusalem and building the British war machine. As offensive action intensified, soldiers could look to the past to provide meaning to the present. Allusions to the campaign as a crusade were frequently made and used to compete with the moral righteousness of the liberation of Belgium.

The “knowledge front”, women, war and peace

2016 ◽  
Vol 45 (2) ◽  
pp. 151-167 ◽  
Author(s):  
Julia Horne
Keyword(s):  
First World War ◽  
Scientific Activity ◽  
Home Front ◽  
Professional Lives ◽  
War And Peace ◽  
World War ◽  
Content Type ◽  
The First World War ◽  
Medical Researcher ◽  
First World

Purpose The purpose of this paper is to introduce the idea of the “knowledge front” alongside ideas of “home” and “war” front as a way of understanding the expertise of university-educated women in an examination of the First World War and its aftermath. The paper explores the professional lives of two women, the medical researcher, Elsie Dalyell, and the teacher, feminist and unionist, Lucy Woodcock. The paper examines their professional lives and acquisition and use of university expertise both on the war and home fronts, and shows how women’s intellectual and scientific activity established during the war continued long after as a way to repair what many believed to be a society damaged by war. It argues that the idea of “knowledge front” reveals a continuity of intellectual and scientific activity from war to peace, and offers “space” to examine the professional lives of university-educated women in this period. Design/methodology/approach The paper is structured as an analytical narrative interweaving the professional lives of two women, medical researcher Elsie Dalyell and teacher/unionist Lucy Woodcock to illuminate the contributions of university-educated women’s expertise from 1914 to the outbreak of the Second World War. Findings The emergence of university-educated women in the First World War and the interwar years participated in the civic structure of Australian society in innovative and important ways that challenged the “soldier citizen” ethos of this era. The paper offers a way to examine university-educated women’s professional lives as they unfolded during the course of war and peace that focuses on what they did with their expertise. Thus, the “knowledge front” provides more ways to examine these lives than the more narrowly articulated ideas of “home” and “war” front. Research limitations/implications The idea of the “knowledge front” applied to women in this paper also has implications for how to analyse the meaning of the First World War-focused university expertise more generally both during war and peace. Practical implications The usual view of women’s participation in war is as nurses in field hospitals. This paper broadens the notion of war to see war as having many interconnected fronts including the battle front and home front (Beaumont, 2013). By doing so, not only can we see a much larger involvement of women in the war, but we also see the involvement of university-educated women. Social implications The paper shows that while the guns may have ceased on 11 November 1918, women’s lives continued as they grappled with their war experience and aimed to reassert their professional lives in Australian society in the 1920s and 1930s. Originality/value The paper contains original biographical research of the lives of two women. It also conceptualises the idea of “knowledge front” in terms of war/home front to examine how the expertise of university-educated career women contributed to the social fabric of a nation recovering from war.

Women and the Warsaw Home Front

2017 ◽  
Author(s):  
Robert Blobaum
Keyword(s):  
Home Front ◽  
Political Rights ◽  
World War ◽  
Women And Gender ◽  
Small Minority ◽  
Military Organizations ◽  
The First World War ◽  
And Gender ◽  
First World

This chapter examines the intersection of war and gender in Warsaw. The resurrection of an independent Polish state in the aftermath of the First World War was accompanied by the establishment of equal political rights and suffrage for women, a cause that had minimal support before the war but was accepted after the war with little public debate or dissent. However, that the war itself had something to do with this important development in Polish political culture is assumed rather than established in the historiography of modern Poland and the emerging scholarship about women and gender. Moreover, in the scant literature on the role of women in wartime Poland, the focus had been placed—or misplaced—on a small minority of women who served as volunteers in auxiliary military organizations, particularly those in support of the Polish legions.

Voluntarism and the impact of the First World War

2011 ◽  
Author(s):  
Peter Grant
Keyword(s):  
First World War ◽  
Home Front ◽  
Director General ◽  
World War ◽  
Voluntary Activity ◽  
The First World War ◽  
Relief Fund ◽  
The Impact ◽  
First World ◽  
Voluntary Organisations

This chapter considers the experience of the First World War to demonstrate that state mobilisation does not necessarily crowd out voluntary endeavour. While the scale of volunteering to fight in that conflict has long been appreciated, the equivalent voluntary effort on the home front has been neglected by historians. This chapter charts the scale, coordination and regulation of this voluntary activity, from the establishment of the National Relief Fund, to the appointment of a Director General of Voluntary Organisations in 1915 and the 1916 War Charities Act. It is argued that the War encouraged professionalisation and innovation within the charity sector, while also embedding a notion of voluntarism working hand in hand with the state.

War work on the home front: the Central Sphagnum Depot for Ireland at the Royal College of Science for Ireland, 1915–19

2016 ◽  
Author(s):  
Clara Cullen
Keyword(s):  
Royal College ◽  
First Aid ◽  
Home Front ◽  
Red Cross ◽  
World War ◽  
Easter Rising ◽  
The First World War ◽  
War Effort ◽  
Hospital Ships ◽  
First World

Immediately after war was declared with Germany, emergency classes in first aid and ambulance work were organised in the Royal College of Science for Ireland (RCScI) in Dublin. By 1915 the College had two Voluntary Aid Detachments Red Cross groups who met hospital ships from the Western Front bringing casualties to Dublin hospitals. They were also provided aid to casualties of the Easter Rising. The women’s VAD also organised and managed the Central Sphagnum Depot for Ireland. Sphagnum moss had been found to have medicinal and absorbent properties and was known as a safe, reliable surgical dressing, making it a perfect replacement for increasingly scarce cotton wool in hospitals and dressing-stations during the First World War. As war casualties mounted, demands for this moss as a field-dressing increased. Between 1915 and 1919, over 900,000 dressings were dispatched to various theatres of war. This chapter assesses the work of the women who voluntarily involved themselves with the central depot by organising moss collection, sterilisation, packaging and dispatching. It also pits this Irish contribution to the war effort against Ireland’s increasingly turbulent political backdrop.

WAR AND PEACE: ARTHUR CECIL PIGOU AS A PUBLIC INTELLECTUAL DURING WORLD WAR I

2020 ◽  
pp. 1-18
Author(s):  
Rogério Arthmar ◽  
Michael McLure
Keyword(s):  
World War I ◽  
First World War ◽  
Public Intellectual ◽  
Peace Treaty ◽  
War And Peace ◽  
World War ◽  
Full Circle ◽  
The First World War ◽  
To Come ◽  
First World

This study reflects on Arthur Cecil Pigou’s role in public debate during the initial phase of the First World War over whether Britain should negotiate a peace treaty with Germany. Its main goal is to provide evidence that the “Cambridge Professor” framed his approach to this highly controversial issue from theoretical propositions on trade, industrial peace, and welfare that he had developed in previous works. After reviewing his contributions on these subjects, Pigou’s letter to The Nation in early 1915, suggesting an open move by the Allies towards an honorable peace with Germany, is presented along with his more elaborate thoughts on this same theme put down in a private manuscript. The negative reactions to Pigou’s letter are then scrutinized, particularly the fierce editorial published by The Morning Post. A subsequent version of Pigou’s plea for peace, delivered in his London speech late in 1915, is detailed, listing the essential conditions for a successful conclusion of the conflict. To come full circle, the paper recapitulates Pigou’s postwar considerations on diplomacy, free trade, and colonialism. The concluding remarks bring together the theoretical and applied branches of Pigou’s thoughts on war and peace.

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