33. Anaïs Nin: The Diary of Anaïs Nin (1931–1974)

2019 ◽  
pp. 1750-1761
Keyword(s):  
1987 ◽  
Vol 61 (1) ◽  
pp. 106
Author(s):  
Bettina L. Knapp ◽  
Anaïs Nin
Keyword(s):  

2013 ◽  
pp. 202-206
Author(s):  
Marta Traba
Keyword(s):  

2002 ◽  
Vol 26 (3) ◽  
pp. 101-103 ◽  
Author(s):  
Allan Beveridge

“We don't see things as they are, we see things as we are” (Anaïs Nin, 1969)In the mental state examination, a standard method of describing the clinical encounter is to contrast the patient's supposedly ‘subjective’ account with the doctor's ‘objective’ description. In this model, the doctor is granted a privileged position: the clinician's perspective is taken to be superior to that of the patient. The doctor's objective approach is considered neutral, scientific and representing the truth of the matter. In contrast, the patient's subjective report is regarded as unreliable, distorted and potentially false. The lowly status of the subjective perspective is further emphasised by the frequent use of the accompanying prefix, merely.


Books Abroad ◽  
1976 ◽  
Vol 50 (4) ◽  
pp. 879
Author(s):  
Rita D. Jacobs ◽  
Anaïs Nin ◽  
Evelyn J. Hinz
Keyword(s):  

Author(s):  
Howard Pollack

The success of Ballad for Americans allowed Latouche to move into nice quarters in Greenwich Village and marry Theodora Griffis. During this period, that is, the early 1940s, his new friends included Carson McCullers and Leo Lerman. He also continued to befriend notable émigrés, including Brion Gysin, Jimmy Ernst, Yul Brynner, Marlene Dietrich, Eleonora and Francesco von Mendelssohn, Anaïs Nin, and Ruth Yorck. Meanwhile, his interest in the occult was reflected in his friendships with medium Eileen Garrett, palmist Margaret Mamlok, sand astrologers Charles Jayne and Natacha Rambova. He and many of his friends took stimulants under the supervision of Dr. Max Jacobson, with whom Latouche collaborated on some projects, and who became known as the notorious Dr. Feelgood.


Sign in / Sign up

Export Citation Format

Share Document