3.1 Institutionelle Voraussetzungen: New Journalism

2021 ◽  
pp. 153-191
Keyword(s):  
Prospects ◽  
1996 ◽  
Vol 21 ◽  
pp. 397-434
Author(s):  
Daniel W. Lehman

Reading Tom Wolfe's nonfiction across its grain, for the manner by which its chameleon narrators and its historical author reverberate and intersect, is to enter a sustained fantasy of escape and recapture. For not only are Wolfe's fugitive plots – a psychedelic novelist on the lam in Mexico, a test pilot reeled to earth after eluding the clutches of the Mach One barrier, even his fictional Master of the Universe wriggling in a tangled web of transgression and punishment – the stuff of rights and wrongs, but for nearly a third of a century Tom Wolfe has made a habit of breaking every established rule and then denying he has done so.


1962 ◽  
Vol 39 (1) ◽  
pp. 90-91
Author(s):  
Joseph O. Baylen ◽  
G. Hogan Patrick
Keyword(s):  

2020 ◽  
Vol 72 (2) ◽  
pp. 641-647
Author(s):  
P. Abenova ◽  

This article discusses linguistic and cultural aspects of translation of modern American gonzo-reporting on the example of the book written by Thompson Hunter, who is father founder of genre “gonzo”. The genre “gonzo” appeared first in the USA within the new branch of journalism, which is called “New Journalism” and it developed there as well. Gonzo-reporting is a type of a text, where author uses subjective 1st person narration. He actively participates in the event that he describes. Gonzo-text has its specific stylistic and linguistic peculiarities, due to the fact that author speaks mind freely, uses humor, sarcasm, irony, jargons, slangs etc. Gonzo-texts contain deep descriptions of many details, explanations to author’s actions in reality. The translator’s main aim in translation of gonzo-reporting is to conduct adequate translation form linguistic and cultural aspects.The article provides a comparative and contrastive analysis of translations and the original; it discusses various approaches and criticism to the translation text.


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