6. Modern Greek studies in Italy (1866–1897) : Philhellenic revival and classical tradition through the lens of the Nuova Antologia

2021 ◽  
pp. 167-190
Author(s):  
Francesco Scalora
Keyword(s):  
Classical Tradition ◽  
Modern Greek

Modern Greek studies in Italy (1866–1897) : Philhellenic revival and classical tradition through the lens of the Nuova Antologia

2021 ◽  
Author(s):  
Francesco Scalora
Keyword(s):  
Nineteenth Century ◽  
Classical Tradition ◽  
Literary Production ◽  
Modern Greek ◽  
Modern Greece

During the long era of Italian philhellenism, interest in modern Greece was more than just political and ideological. In particular, in the second half of the nineteenth century, the philhellenism of the Risorgimento period was animated by an interest in the culture of modern Greece and by the wish to investigate the character and most significant aspects of the civilisation and literary production of modern Greece. In the context of literate and pluralistic Italian editorial opinion, the magazine Nuova Antologia exhibited a sincerity of interest in modern Greece in the years when Italy and Greece were still engaged in the process of national resolution and finding their places within the European political and cultural scene.

Ancient Revolutions in the Literature of Polish Romanticism

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert
Keyword(s):  
Comparative Study ◽  
Classical Tradition ◽  
French Revolution ◽  
European Context ◽  
History Of ◽  
Classical Traditions ◽  
The French Revolution ◽  
Literary Reception

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.

Modern Greek V V dvandva compounds: A linguistic innovation in the history of the Indo-European languages

2009 ◽  
Vol 2 (1) ◽  
pp. 48-68 ◽  
Author(s):  
Angela Ralli
Keyword(s):  
Language Contact ◽  
High Rate ◽  
Compound Formation ◽  
Modern Greek ◽  
Late Medieval Period ◽  
European Languages ◽  
History Of ◽  
Internal Change ◽  
Contact Situation ◽  
Asian Languages

This paper deals with [V V] dvandva compounds, which are frequently used in East and Southeast Asian languages but also in Greek and its dialects: Greek is in this respect uncommon among Indo-European languages. It examines the appearance of this type of compounding in Greek by tracing its development in the late Medieval period, and detects a high rate of productivity in most Modern Greek dialects. It argues that the emergence of the [V V] dvandva pattern is not due to areal pressure or to a language-contact situation, but it is induced by a language internal change. It associates this change with the rise of productivity of compounding in general, and the expansion of verbal compounds in particular. It also suggests that the change contributes to making the compound-formation patterns of the language more uniform and systematic. Claims and proposals are illustrated with data from Standard Modern Greek and its dialects. It is shown that dialectal evidence is crucial for the study of the rise and productivity of [V V] dvandva compounds, since changes are not usually portrayed in the standard language.

On the morphosyntax of synthetic compounds with proper names: A case study on the diachrony of Greek

2020 ◽  
Vol 13 (2) ◽  
pp. 189-210
Author(s):  
Artemis Alexiadou
Keyword(s):  
Proper Names ◽  
Synthetic Compounds ◽  
Modern Language ◽  
Modern Greek

This paper discusses the formation of synthetic compounds with proper names. While these are possible in English, Greek disallows such formations. However, earlier stages of the language allowed such compounds, and in the modern language formations of this type are possible as long as they contain heads that are either bound roots or root- derived nominals of Classical Greek origin. The paper builds on the following ingredients: a) proper names are phrases; b) synthetic compounding in Modern Greek involves incorporation, and thus proper names cannot incorporate; c) by contrast, English synthetic compounds involve phrasal movement, and thus proper names can appear within compounds in this language. It is shown that in earlier Greek, proper names had the same status as their English counterparts, hence the possibility of synthetic compounds with proper names. It is further argued that the formations that involve bound/archaic roots are actually cases of either root compounding or root affixation and not synthetic compounds.

The Theological Dialogue Between the Orthodox and the Non-Chalcedonians (Past - Present - Future): An Athonite Critique. Part 1: Prologue. Introduction, ch. 1, nn. 1-3

2019 ◽  
pp. 109-144
Author(s):  
Михаил Андреевич Вишняк
Keyword(s):  
Orthodox Church ◽  
Modern Greek ◽  
History Of ◽  
The Church

Вниманию русскоязычного читателя предлагается первая часть перевода с новогреческого на русский язык книги Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 σ.). Это издание посвящено богословскому диалогу между Православной Церковью и антихалкидонитами и включает в себя все тексты соответствующей тематики, составленные на Святой Горе Афон в период 1991-2015 гг. Настоящая публикация включает перевод предисловия архим. Христофора, игумена монастыря Григориат, и части введения (гл. 1, пп. 1-3). Перевод снабжён также предисловием переводчика, в котором кратко изложена история богословского диалога, цель издания и его перевода на русский язык, которая заключается в содействии плодотворному и согласному со Священным Преданием воссоединению антихалкидонитов с Церковью. The Russian-speaking reader is presented with the first part of the translation into Russian from the modern Greek of the book Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 p.). This edition is devoted to the Theological Dialogue between the Orthodox Church and the non-Chalcedonians and includes all texts of the relevant topics, published on the Holy Mount Athos in the period 1991-2015. This publication includes a translation of the Prologue of archim. Christophoros, the abbot of the monastery of St. Gregory, and of a part of the Introduction (Chapter 1, paragraphs 1-3). The translation is also provided with a preface of the translator, which summarizes the history of the Theological Dialogue, the purpose of the publication and its translation into Russian, which is to contribute to the fruitful and consistent with the Holy Tradition reunification of the non-Chalcedonians with the Church.

The Classical Tradition in University Theatre

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Art Education ◽  
Classical Tradition ◽  
Theory And Practice ◽  
Theatre Arts ◽  
Tel Aviv ◽  
Greek Drama ◽  
Mise En Scene ◽  
History Of ◽  
Stage Performance ◽  
And Performance

This chapter surveys the history of classical Greek drama productions at the Department of Theatre Arts of Tel Aviv University as the basis for an exploration of the issue of theatre and art education. By analysing the students’ approach to classical Greek drama, we can see how they deal with the interpretative reading, translation, and performance of such texts on stage. We also see how the ancient works invite the students to delve more deeply into their distinctive content and forms; to draw links between theory and practice, and between text and context; to gain a deeper understanding of the issues of style and styling; and to engage in a richer experimentation with various aspects of stage performance—such as pronunciation, diction, voice, movement, music, and mise-en-scène.

Irish Versions of Virgil’s Eclogues and Georgics

2018 ◽  
Author(s):  
Cillian O’Hogan
Keyword(s):  
Classical Tradition ◽  
Rural Life ◽  
Language Choices ◽  
The Everyday ◽  
Irish Identity

Irish versions of the Eclogues and Georgics serve as another salient example of how culture and nationhood define themselves through Virgil. This chapter explores how Virgil has provided a way of navigating Irish identity and looks at the language choices in Irish translations that lead away from British classically infused literature and towards an alternative classical tradition. In particular, by examining Seamus Heaney’s translation of Eclogue 9 and Peter Fallon’s translation of the Georgics, O’Hogan argues that both provide two aspects of Virgilian ‘repossession’: poets relocate Virgilian poems into familiar Irish landscapes replete with grim realities of rural life; and they make use of Hiberno-English, the everyday version of English used in Ireland.

Sign in / Sign up

Export Citation Format

Share Document